In 1949, an American writer of westerns, Holly Martins, arrives in post-war Vienna to visit his old friend Harry Lime. On arrival, he learns that his friend has been killed in a street accident, and when he meets Calloway, chief of the British Military Police in Vienna, he is informed that Lime was in fact a black marketer wanted by the police. He decides to prove Harry's innocence, but is Harry really dead?
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
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So, this was a nice flick, I guess.It's funny to me that it's got such rave reviews on RT and here on the iTunes reviews page. I really should have loved this movie: it's noir, it's black and white, it's a storyline full of twists and turns, the cinematography is gorgeous, the dialogue has some real zingers, Orson Welles' character is magical, and it deals with large moral questions, to boot. The problem was just this: I didn't love it, not at all. I barely liked it, in fact, and viewed it somewhat they same way I'd view a Picasso painting. Well gosh! Picasso was a master of his craft. This is a masterpiece of film. And yet it bored me to tears. Bummer... On more than one occasion, I found myself getting antsy, constantly needing to rewind because my mind would wander, and I was utterly unimpressed with the "enormous twists" that everyone mentions towards films end. I've read a few reviews wherein people specifically mention the soundtrack as one of the best parts of the film. I for one felt that it detracted from the atmosphere; I never felt suspense, nor dread, nor excitement. I never wondered what would happen next, except maybe along the romance storyline. I've rated this film 4/5 because it's a beautiful movie, one that every film lover should watch. That being said, I honestly have to say it was one of the most disappointing films I've seen in a long while. This review seems kind of self-contradictory, doesn't it? I agree. Sheesh..Score: 4/5
Great American ClassicI don't pretend to be a film student or expert in cinematography. I just know that I love this movie. I first learned about "The Third Man" listening to the old radio show episodes with Orson Welles playing Harry Lime. I was captivated by the lilting zither music and great dialog. I made it a point to find and watch the movie the radio series was based upon. To my delight, the movie was even better. In my humble opinion, this movie is flawless. I like it even better than Citizen Kane, Touch of Evil and The Magnificent Ambersons..Score: 5/5
A classic!This is was a really good movie and would recommend it to anyone. It should be shown more often. I just wonder what will happen to all these old movies after a while. I feel that they will be forgotten when they should be what we should be really watching! :).Score: 5/5
Stunning, thrilling, and delightfully quirkyI didn't see this film until I was 55 years old, and that is a true regret. It has edge-of-your seat excitement, coupled with a few moments of good humor and a quirkiness that hangs over the entire film due in no small part, IMHO, to the film's score. From the opening sequence, that somewhat eerie, somewhat cheerful, somewhat threatening, and somewhat comforting music haunts you and stays with you long after the credits have rolled. This is one of those few films I curl up with while holding a bowl of buttered popcorn a couple of nights a year, in order to make up for lost time. I can't recommend it highly enough to anyone who loves great art as film. Or is that film as great art?.Score: 5/5
Orson Welles fan since he could walkI met the man when i was a child but even then his giant persona left an indelible memory upon the hazy recollections of youth. I grew up and this movie reminds me of this Hollywood legend..Score: 5/5
Deservedly a classicA moody, film noir masterpiece and a time capsule of divided post-war Vienna and its underworld. Perhaps my favorite ‘40s film not directed by Hitchcock..Score: 5/5
One of the BEST films everOne of the best films ever made!.Score: 5/5
More Orson Welles, please...The Third Man is, simply, one of those classics which transcends the time in which it was filmed. It is as noir and suspenseful today as it was when released. The mood, the zither soundtrack, the surprising plot twist, and the sheer presence of Welles (and the great Jo Cotton) are irresistbly compelling. Please iTunes, make it your 2010 New Year's Resolution to offer the rest of Orson Welles' catalog through the store!.Score: 5/5
A spectacular B&W classic that every film buff MUST SEEThanks, iTunes, for making this astoundingly great classic available -- especially on the 99 cent Rental section. Superb acting, remarkable cinematography, superb script -- the chemistry of the cast is amazing. Orson Welles chews up the screen every time he appears. The chase scene in the sewers set the standard for decades to come. Assuming you're someone who considers yourself a film aficionado, you have to rent/buy this movie immediately. Truly superb cinematic storytelling at its finest..Score: 5/5
The Third ManOne of the best films of its type. (Noir). The 2 star reviews are dumbfounding. The people that don’t like the music in The Third Man are like those that don’t like Bob Dylan’s music for Pat Garrett and Billy The Kid……totally crazy..Score: 5/5
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