Rashomon summary and reviews

Rashomon synopsis, summary and reviews

8.1
8.1 star

Rashomon (1950) Movie Summary

Daiei Film logo
  • CRIME
  • DRAMA
  • MYSTERY
  • Unrated
  • 1950
  • FULL HD

A riveting psychological thriller that investigates the nature of truth and the meaning of justice, Rashomon is widely considered one of the greatest films ever made. Four people give different accounts of a man’s murder and the rape of his wife, which director Akira Kurosawa presents with striking imagery and an ingenious use of flashbacks. This eloquent masterwork and international sensation revolutionized film language and introduced Japanese cinema—and a commanding new star by the name of Toshiro Mifune—to the Western world.

Rashomon Film Synopsis

Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.

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Rashomon Movie Reviews

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MasterpieceThis is one of those films that you hear referenced to a lot, and for good reason. Four people see and or take part in a traumatic event and each tell a different story of what happened. Everything is done to perfection, the lighting, the rain, the sets, the editing, the music, etc. All of Kurosawa’s films are great, and this film is one of his best..Score: 5/5

Outdated Story and CharactersThe film making may be great but the story and characters are outdated, especially the female role shown here as weak, manipulative, and highly emotional. Essentially the same story as The Room, men are good and just lead down dark paths by manipulative women; with a few different perspectives thrown in. More modern movies can fill the lessons of different perspectives to truth and our ability to convince ourselves of the stories we want to tell, or even 12 Angry Men can give similar lessons without the patriarchal baggage. This film has outlived its usefulness as a societal meme..Score: 1/5

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Rashomon (1950) Series Cast & Crew

Rashomon (1950) cast and crew credits, including actors, actresses, directors, writers and more. Toshirō Mifune (Tajômaru), Machiko Kyō (Masako), Takashi Shimura (Woodcutter), Masayuki Mori (Takehiro), Minoru Chiaki (Priest), Kichijirō Ueda (Commoner), Noriko Honma (Medium), Daisuke Katō (Policeman), all returned for rashomon movie.

Toshirō Mifune (Tajômaru)
Toshirō MifuneTajômaruScore: 5.4
Machiko Kyō (Masako)
Machiko KyōMasakoScore: 5.4
Takashi Shimura (Woodcutter)
Takashi ShimuraWoodcutterScore: 2.7
Masayuki Mori (Takehiro)
Masayuki MoriTakehiroScore: 5.4
Minoru Chiaki (Priest)
Minoru ChiakiPriestScore: 5.1
Kichijirō Ueda (Commoner)
Kichijirō UedaCommonerScore: 4.4
Noriko Honma (Medium)
Noriko HonmaMediumScore: 4.3
Daisuke Katō (Policeman)
Daisuke KatōPolicemanScore: 5.4
coursera

Akira Kurosawa (Screenplay), Akira Kurosawa (Director), Akira Kurosawa (Editor), Shinobu Hashimoto (Screenplay), Ryūnosuke Akutagawa (Novel), Jingo Minoura (Producer), Masaichi Nagata (Executive Producer), Fumio Hayasaka (Original Music Composer), Kazuo Miyagawa (Director of Photography), H. Motsumoto (Set Decoration), Tokuzō Tanaka (Assistant Director), Teruyo Nogami (Script Supervisor), Tai Katō (Assistant Director), Fujio Morita (First Assistant Camera), Iwao Ôtani (Sound), Gengon Nakaoka (Lighting Production Assistant), Kenichi Okamoto (Lighting Technician), Mitsuo Wakasugi (Assistant Director), Takashi Matsuyama (Production Design), Tsuchitarô Hayashi (Sound),

Akira Kurosawa (Screenplay)
Akira KurosawaScreenplayScore: 5.4
Akira Kurosawa (Director)
Akira KurosawaDirectorScore: 5.4
Akira Kurosawa (Editor)
Akira KurosawaEditorScore: 5.4
Shinobu Hashimoto (Screenplay)
Shinobu HashimotoScreenplayScore: 5.4
Ryūnosuke Akutagawa (Novel)
Ryūnosuke AkutagawaNovelScore: 3.1
Masaichi Nagata (Executive Producer)
Masaichi NagataExecutive ProducerScore: 1.5
Men’s T-Shirts

Rashomon Trailers & Teasers

'Rashomon' Official Trailer (HD). First teaser trailer of rashomon, the Akira Kurosawa's popular movie. Watch the rashomon teaser trailer. Akira Kurosawa’s #rashomon is now on 4K UHD, Blu-ray and digital platforms.

Rashômon (1950) ORIGINAL TRAILER [HD 1080p]▶ Rashômon (1950) ORIGINAL TRAILER [HD 1080p]
Robert Altman on Rashomon▶ Robert Altman on Rashomon
BFI Re-Release Trailer▶ BFI Re-Release Trailer

Rashomon Screencaps, Images & Pictures

Check out photos from rashomon movie. Rashomon (1950) 1920x1080 HD wallpapers and high quality background images. Tons of awesome rashomon wallpapers to download for free.

RASHOMON IMAGE CRIMINAL IMAGE DYING AND DEATH IMAGE JIDAIGEKI IMAGE TRUTH IMAGE SAMURAI IMAGE JAPAN IMAGE RAIN IMAGE WOODCUTTER IMAGE SUNLIGHT IMAGE MULTIPLE PERSPECTIVES IMAGE SUBJECTIVITY IMAGE MEDIUM IMAGE COURT CASE IMAGE RAPE IMAGE HEIAN PERIOD IMAGE COURT IMAGE BASED ON SHORT STORY IMAGE
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Rashomon Movie Screencaps, Images & Pictures

The husband, the wife… or the bandit?..

Rashomon — 1950

Rashomon Posters

All released movie posters so far for the movie rashomon - 1950. A poster for Akira Kurosawa classics movie, Rashomon! High resolution official theatrical movie poster (#1 of 10) for rashomon (1950). Image dimensions: 2025 x 3000.

RASHOMON POSTER CRIMINAL POSTER RAPE POSTER WOODCUTTER POSTER COURT CASE POSTER JAPAN POSTER COURT POSTER TRUTH POSTER DYING AND DEATH POSTER SUNLIGHT POSTER HEIAN PERIOD POSTER MULTIPLE PERSPECTIVES POSTER MEDIUM POSTER BASED ON SHORT STORY POSTER JIDAIGEKI POSTER RAIN POSTER SAMURAI POSTER SUBJECTIVITY POSTER
Rashomon poster 1
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Rashomon Movie Posters
Brain Force

Rashomon Movie Languages & Subtitles

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Deutsch
Drei Menschen suchen vor einem Wolkenbruch in einer Tempelruine Schutz: ein Zen-Priester, ein Holzfäller und ein Knecht. Ihr Gespräch kreist um ein grausiges Verbrechen: Ein berüchtigter Bandit überfiel ein Ehepaar, tat der Frau vor den Augen des gefesselten Mannes Gewalt an und tötete ihn dann.

suomi
Rashomon – paholaisen temppeli, myös Rashomon – paholaisen portti on vuonna 1950 ensi-iltansa saanut japanilainen elokuva. Sen on ohjannut Akira Kurosawa, ja elokuva perustuu kahteen Ryūnosuke Akutagawan kirjoittamaan tarinaan. Rashomon sai Venetsian elokuvajuhlien Kultaisen leijonan vuonna 1951. Rashomon oli Kurosawan läpimurtoelokuva[1], ja sen jälkeen yleensäkin japanilainen elokuva on noussut kansainväliseen suosioon. Elokuvaa pidetään yhtenä Kurosawan parhaista.Elokuvassa kuvataan murhaa ja raiskausta neljän eri todistajan kertomien selostusten kautta. Elokuvan juoni asettaa totuuden luonteen kyseenalaiseksi. Katsojan on kuitenkin määrä omaksua epätoivon sijaan myönteinen asenne – kuten köyhä mies, joka ottaa hylätyn lapsen suojaansa. Kurosawa poikkeaa elokuvaperinteestä, jossa roolihenkilö voi valehdella, mutta näytetty takauma kertoo touuden. Elokuva ei kuitenkaan torju katsojaa, vaan päinvastoin vetää hänet mukaan pohtimaan totuutta.

Français
Kyoto, au XIe siècle. Sous le portique d'un vieux temple en ruines, Rashômon, trois hommes s'abritent de la pluie. Les guerres et les famines font rage. Pourtant un jeune moine et un vieux bûcheron sont plus terrifiés encore par le procès auquel ils viennent d'assister. Ils sont si troublés qu'ils vont obliger le troisième voyageur à écouter le récit de ce procès : celui d'un célèbre bandit accusé d'avoir violé une jeune femme et tué son mari, un samouraï. Le drame a eu lieu dans la forêt à l'orée de laquelle est situé le portique de Rashômon. L'histoire est simple : Qui a tué le mari ? Le bandit Tajomaru, la femme, un bûcheron qui passait ou le mari lui-même qui se serait suicidé ? Autant d'hypothèses vraisemblables. Mais les dépositions des témoins devant le tribunal apportent à chaque fois une version différente du drame, et la vérité ne percera qu'après de nouvelles révélations surprenantes...

svenska
En tjuv våldtar en kvinna och mördar hennes make. Men när historien berättas ur fyra olika vinklar - kvinnans, tjuvens, den mördade mannens och ett vittnes - är det plötsligt inte alls säkert vad som hände. Historien blir alltmer motsägelsefull och ord står mot ord och handling mot handling. Det visar sig snart att ingen av de fyra verkar vara särskilt sanningsenlig.

普通话
  罗生门,日本京都的正南门。云游和尚、砍柴人和乞丐在城门底下避雨,三人闲聊,话题开始,故事的序幕拉开:一个武士和他妻子路过荒山,遭遇了不测。妻子被侮辱,而武士惨遭杀害。惨案如何酿成?凶手、妻子、借武士亡魂来做证的女巫,都各有说法。

Pусский
Древняя Япония. В лесу изнасилована женщина, а её муж убит. Есть четыре точки зрения - у каждого из четырех свидетелей - своя. Каждая сторона проливает свет на случившееся, добавляя дополнительные детали. Однако какая же версия является истинной, если каждая претендует быть наиболее правдивой?

Italiano
Kyoto, periodo Heian. Un boscaiolo, un monaco e un vagabondo si interrogano su una vicenda, l'assassinio di un samurai e lo stupro di sua moglie per mano del bandito Tajômaru, che li ha coinvolti come testimoni. Mentre si susseguono le dichiarazioni dei protagonisti davanti a un tribunale sulla loro versione dei fatti, la verità anziché emergere sembra vieppiù allontanarsi. In un Giappone ancora dilaniato dai lasciti del dopoguerra, Kurosawa Akira ritorna a un'altra epoca di morte e sofferenza, quel periodo Heian in cui di fronte alla porta del tempio di Rashô non scorrevano che sangue, violenza e frode.

Türkçe
Ormanda devriye gezen polisler tarafından, öldürülmüş bir adamın cesedi bulunur. Adamın karısı da tecavüze uğramıştır. Olaya tanıklık eden üç kişi vardır: Bir gezgin, oduncu ve bir haydut. İzleyici olarak mahkeme bizizdir ve tanıkların hikayelerini dinleriz. Tecavüze uğramış kadın da dahil, hepsinin anlattığı hikayeler birbirinden farklıdır. Öldürülen adamın da olaya tanıklığını izlediğimiz filmde çözülmesi zor bir bulmacayla karşı karşıyayızdır: İçlerinden birileri yalan söylemektedir ancak kim ve neden? Film, 20. yy.'ın başlarında yaşamış yazar Ryunosuke Akutagawa'nın Ormanın Sıklığı isimli kitabının uyarlaması. Ancak, toplam süresi 60 dakikayı pek geçmeyine yazarın diğer kitabı Rashômon'dan alınan kestilerin eklenmesiyle film son halini almış. Japon sinemasının ustalarından Kurosawa'nın bu filmi pek ödüllendirilmemişse de oldukça başarılı. Rashômon insan psikolojisi üzerinde duran ve yalanın sınırlarını zorlayan bir Japon draması.

Nederlands
In Kurosawa's Rashômon worden vier deels tegenstrijdige versies van de gewelddadige dood van een samoerai verteld door getuigen, onder wie de geest van het slachtoffer.

Srpski
Филм описује силовање жене и касније убиство њеног мужа кроз веома различите приче четири сведока, укључујући силоватеља те, преко медија, мртвог мушкарца. Приче су међусобно контрадикторне, што оставља гледаоцу да просуди која је од њих, ако иједна, тачна. Прича се развија у присећањима четири ликова - бандита Тађōмаруа, убијеног самураја, његове жене и безименог дрвосече - на догађаје који су се одвили једног послеподнева у лугу. Али то је исто тако присећање у присећању јер приче сведока разузданом становнику износе дрвосеча и свештеник док у разрушеној стражарници званој Рашомон чекају завршетак кишне олује.

Español
Japón, siglo XII. En Kioto, bajo las puertas del derruido templo de Rashomon, se guarecen de la torrencial lluvia un leñador, un sacerdote budista y un peregrino. Los tres discuten sobre el juicio a un bandido, acusado de haber dado muerte a un señor feudal y violado a su esposa. Los detalles del crimen son narrados desde el punto de vista del bandido, de la mujer, del señor feudal -con la ayuda de un médium- y del leñador, único testigo de los hechos.

Český
Příběh ze středověkého Japonska popisující zločin z pohledu několika různých osob. Nikdo nemluví tak docela pravdu a každý něco skrývá.

日本語
平安時代、羅生門の下で雨宿りをする下男(上田吉二郎)相手に、旅法師(千秋実)と杣売り(志村喬)が奇妙な話を語り始める。京の都で悪名高き盗賊多襄丸(三船敏郎)が山中で侍夫婦の妻(京マチ子)を襲い、夫(森雅之)を殺害したという。だが、検非違使による調査が始まると、盗賊と妻の証言はまったく異なっており……。

ελληνικά
Στην Ιαπωνία του 12ου αιώνα, μια γυναίκα βιάζεται και ο σύζυγός της δολοφονείται από τον πασίγνωστο ληστή Tajomaru. Ο δράστης σύντομα συλλαμβάνεται αλλά η κατάθεσή του, είναι εντελώς διαφορετική από την κατάθεση του θύματος. Ένας αυτόπτης μάρτυρας που βρήκε το πτώμα του άντρα, καλείται για να δώσει φως στην υπόθεση αλλά περιπλέκει περισσότερο την κατάσταση καθώς η κατάθεση του είναι επίσης διαφορετική από τις υπόλοιπες.

Português
Japão, século XI. Um lenhador, um sacerdote e um camponês procuram refúgio de uma tempestade nas ruínas de pedra do Portão de Rashomon. O sacerdote conta detalhes de um julgamento que testemunhou, envolvendo o estupro de Masako e o assassinato do marido dela, Takehiro, um samurai. Em flashback é mostrado o julgamento do bandido Tajomaru, onde acontecem quatro testemunhos, inclusive de Takehiro através de um médium. Cada um é uma "verdade", que entra em conflito com todas as outras.

Magyar
Ez a velencei fesztiválon nagydíjjal kitüntetett, rendkívül szép és mozgalmas (420 vágást tartalmazó!) film hozta meg a világhírt Kurosawának, és keltette fel a nyugati közönség érdeklődését a japán film iránt. A XII. századi polgárháborúk sújtotta Kiotóban vagyunk. A címadó romos kapu alatt várja az eső elálltát egy buddhista pap, egy közember és egy szamurájgyilkosság tanújaként kihallgatott favágó. A szamuráj halálának s felesége megerőszakolásának esetét különbözőképpen adja elő a gyanúsított bandita, Tajomaru és a többi résztvevő. Mégsem az igazság viszonylagosságáról van itt szó, hanem az emberek viszonyáról saját hazugságaikhoz. "A különböző értelmezések mögött az a félelem bújik meg, hogy az események másnak mutatják az elbeszélőt, mint amilyennek látni szeretné magát, hogy megsemmisítik dicsekvése alapját." (Berkes Ildikó)

한국어/조선말
전란이 난무하는 헤이안 시대, 폭우가 쏟아지는 라생문의 처마 밑에서 나뭇꾼과 스님이 심각한 표정으로 생각에 잠겨 있다. 잠시 비를 피하러 그곳에 들른 한 남자. 이들은 이 남자를 상대로 최근에 그 마을에 있었던 기묘한 사건을 들려준다. 사건의 배경은 녹음이 우거진 숲 속. 사무라이 타케히로가 자신의 아내 마사코와 함께 숲 속을 지나고 있었다. 산적 타조마루는 그들 앞에 나타나 속임수로 타케히로를 포박하고 마사코를 겁탈한다. 오후에 그 숲에 들어선 나뭇꾼은 타케히로의 가슴에 칼이 꽂혀있는 것을 발견하고 관청에 신고한다. 타조마루는 체포되고, 행방이 묘연했던 마사코도 불려와 관청에서 심문이 벌어지는데...

עִבְרִית
סרטו הנודע של אקירה קורוסאווה. הסרט זכה בפרס הראשון בפסטיבל ונציה בשנת 1951, זכייה שהובילה לפרסומם של קורוסאווה ושל הקולנוע היפני ברחבי העולם המערבי. הסרט מבוסס על שני סיפורים מאת הסופר היפני אקוטגווה ריונוסקה, ומתאר פשע של אונס ורצח מבעד לעיניהם של ארבעה עדי ראייה:- טג'ומרו, הנאשם באונס וברצח.- טקהירו, הסמוראי הנרצח, שדבריו מגיעים באמצעות מעלה באוב.- מסאקו, הנאנסת, שהיא אשתו של הנרצח- חוטב עצים ששמו אינו ידוע, שצפה באירוע.הארבעה מעלים מזיכרונם את הפשע. ארבעת העדויות סותרות זו את זו והצופה אינו מסוגל לגלות את האמת, ובפרט אינו מקבל תשובה לנסיבות המוות: האם היה זה מוות בדו קרב, רצח או התאבדות? המוות הוא נתון אובייקטיבי, אך תיאור נסיבותיו סובייקטיבי לחלוטין ומשקף את הפרשנות שנותן למאורעות כל עד ראייה (שהוא גם שותף למאורעות).

Український
У лісі згвалтована жінка, а її чоловік убитий. Є чотири точки зору і у кожного з чотирьох свідків - своя. Кожна проливає додаткове світло на те, що трапилося, додаючи додаткові деталі до того, що трапилося. Проте яка ж версія є істинною, якщо кожна претендує бути найбільш правдивою?

Português
No Japão do século XI, um lenhador, um sacerdote e um camponês procuram refúgio de uma tempestade nas ruínas de pedra do Portão de Rashomon. O sacerdote conta detalhes de um julgamento que testemunhou, envolvendo o estupro de Masako e o assassinato do marido dela, Takehiro, um samurai. Em flashback é mostrado o julgamento do bandido Tajomaru, onde acontecem quatro testemunhos, inclusive de Takehiro através de um médium. Cada um é uma "verdade", que entra em conflito com as outras.

فارسی
ژاپن، قرن یازدهم. یک هیزم‌شکن (شیمورا)، یک راهب و یک مرد عامی، از باران به خرابه‌های دروازه‌ی راشومون پناه می‌برند و راهب داستان محاکمه‌ای را که شاهد بوده با سه روایت تعریف می‌کند...

български език
Едно престъпление и четири съвършено различни нтерпретации... Филмов шедьовър за измеренията и непостижимостта на истината, съчетал гениално криминалната, съдебната и морална проблематика с разтърсваща визуална красота. Филмът има и историческа стойност - с него светът открива великолепието на японското кино.

Dansk
Under en gigantisk, faldefærdig port i udkanten af 1100-tallets Kyoto har en præst, en skovhugger og en dagdriver søgt tilflugt fra den silende regn. Præsten og skovhuggeren har forinden vidnet i en retssag omkring mordet på en mand og voldtægten af hans hustru i en nærliggende skov. Mens de venter på, at vejret skal klare op, diskuterer de tre mænd den sælsomme process, hvor ingen af førstehåndsvidnernes forklaringer syntes at korrespondere med hinanden. Historien om, hvad der fandt sted i skoven, genfortælles på skift af banditten Tajomaru, kvinden, et medie repræsenterende den afdøde mand samt af skovhuggeren

Lietuvių
Šis filmas išgarsino genialųjį japonų režisierių Akirą Kurosavą visame pasaulyje. Filmo veiksmas nukelia į XII a. Japoniją. Žmogžudystės ir prievartavimo liudininkai pasakoja visiškai skirtingas ir prieštaraujančias viena kitai nusikaltimo versijas. Kas iš jų teisus? Kas apskritai yra tiesa? Pagrindinį vaidmenį sukūrė Toshiro Mifune.

Polski
Akcja filmu rozgrywa się w realiach średniowiecznej Japonii. W upalny dzień bandyta napada w lesie na podróżującego samuraja i zabija go, po czym gwałci jego żonę. Ale czy na pewno tak to wyglądało? Jakiś czas później, w czasie ulewy, pod jednym dachem spotyka się trzech podróżnych. Opowiadają sobie cztery różne wersje tej historii, wszystkie różniące się od siebie. Kto tak naprawdę ma rację i po czyjej stronie leży wina za śmierć samuraja?

普通话
天地不仁,以萬物為芻狗。暴雨無親,以人性作沖蝕。因戰亂破敗的羅生門下,避雨各人互訴奇案;武士金澤被發現伏屍竹林中,究竟是誰殺了他? 大盜多襄丸、被強暴的武士妻子,抑或是他自己?不同角度顯示不同敘事版本,每個人爭認自己是兇手,可是為了掩飾更大的醜惡?

普通话
本片1951年獲威尼斯影展首獎,導演黑澤明一躍成為「世界級導演」,享譽全球。本片故事發生在戰亂、天災、疾病連綿不斷的平安朝代。某日,在都城附近大澤中發現武士金澤武弘被殺,被控殺害的盜賊多襄丸,武弘之妻真砂,召喚武弘靈魂的靈媒、目擊證人行腳僧及發現金澤屍體的樵夫殼等人以四個不同的時間,不同的方式各自說出供詞,片中幾位要角表現十分稱職,對白精湛,耐人尋味。主要關係者在劇中各懷不同之想法,觀眾在觀賞本片之餘,不妨仔細探究一番。本片劇情獨特,處理手法創新,透過關係者不同的解釋,闡述人類自私的本性,直到影片結束,仍不知事實真相為何。這種人性真實的表現,超越風俗、習慣,成為世界上人類共通的真理。此外,本片之攝影技巧絕妙,也在國際間得到極高的評價。

Slovenčina
Akira Kurosawa sleduje vo svojom najväčšom diele pohyb hľadania a re-konštrukcie skutočnosti. Ukazuje, že tajomstvo síce môže stále unikať a stávať sa centrálnym prvkom, ale zároveň aj prvkom prázdnym, podobne, ako v prípade japonského kráľovského mesta. Rašómon pojednáva o udalosti, ktorá, napriek štyrom svedeckým výpovediam ostane neodhalená.

Español
Rebosante de acción mientras examina incisivamente la naturaleza de la verdad, "Rashomon" es quizás la mejor película para investigar la filosofía de la justicia. Mediante un uso ingenioso de la cámara y los flashbacks, Kurosawa revela las complejidades de la naturaleza humana cuando cuatro personas relatan diferentes versiones de la historia del asesinato de un hombre y la violación de su esposa.

العربية
يمتلئ فيلم "راشومون" بالحركة أثناء فحص طبيعة الحقيقة بدقة ، وربما يكون أفضل فيلم على الإطلاق للتحقيق في فلسفة العدالة. من خلال الاستخدام البارع للكاميرا وذكريات الماضي ، يكشف كوروساوا عن تعقيدات الطبيعة البشرية حيث يسرد أربعة أشخاص روايات مختلفة لقصة قتل رجل واغتصاب زوجته.

Tiếng Việt
Tràn ngập hành động trong khi xem xét sâu sắc bản chất của sự thật, "Rashomon" có lẽ là bộ phim hay nhất từ trước đến nay để điều tra triết lý của công lý. Thông qua việc sử dụng máy ảnh và hồi tưởng một cách khéo léo, Kurosawa tiết lộ sự phức tạp của bản chất con người khi bốn người kể lại các phiên bản khác nhau của câu chuyện một người đàn ông bị giết và cưỡng hiếp vợ của anh ta.

ภาษาไทย
เป็นภาพยนตร์ญี่ปุ่นแนวลึกลับอาชญากรรมปี ค.ศ. 1950 กำกับโดยอากิระ คูโรซาวะ ร่วมกับตากล้องคาซูโอะ มิยางาวะ นำแสดงโดยโทชิโร่ มิฟูเนะ, มาซายูกิ โมริ, มาจิโกะ เคียว และ ทากาชิ ชิมูระ ดัดแปลงจากเรื่องสั้นของรีวโนซูเกะ อากูตางาวะ

ქართული
ფილმის მოქმედება ხდება ძველ იაპინიაში. ტყეში ქალი გააუპატიურეს, მისი ქმარი კი მოკლეს. ოთხი მოსაზრება არსებობს - ოთხივე მოწმეს საკუთარი აზრი აქვს მომხდართან დაკავშირებით, მაგრამ რომელი მათგანი შეესაბამება სინამდვილეს? ეს არის აკირა კუროსავას ფილმი მორალზე, სიმართლესა და კომუნიკაციაზე.

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