This psychologically acute, visually striking modernist work was director Michelangelo Antonioni’s follow-up to the epochal L'AVVENTURA. Marcello Mastroianni and Jeanne Moreau star as a novelist and his frustrated wife, who, over the course of one night, confront their alienation from each other and the achingly empty bourgeois Milan circles in which they travel. Antonioni’s muse Monica Vitti smolders as an industrialist’s tempting daughter. Moodily sensual cinematography and subtly expressive performances make LA NOTTE an indelible illustration of romantic and social deterioration.
La Notte Film Synopsis
A day in the life of an unfaithful married couple and their steadily deteriorating relationship in Milan.
La Notte Comments & Critics
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La Notte Movie Reviews
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La Notte (1961) cast and crew credits, including actors, actresses, directors, writers and more. Marcello Mastroianni (Giovanni Pontano), Jeanne Moreau (Lidia), Monica Vitti (Valentina Gherardini), Bernhard Wicki (Tommaso Garani), Rosy Mazzacurati (Rosy), Maria Pia Luzi (Un'invitata), Guido A. Marsan (Fanti), Vittorio Bertolini (unknown), Vincenzo Corbella (Mr. Gherardini), Ugo Fortunati (Cesarino), Gitt Magrini (Signora Gherardini), Giorgio Negro (Roberto), Roberta Speroni (Beatrice), Umberto Eco (Man at the Party (uncredited)), all returned for la notte movie.
Marcello MastroianniGiovanni PontanoScore: 18.3
Jeanne MoreauLidiaScore: 18.5
Monica VittiValentina GherardiniScore: 14.4
Bernhard WickiTommaso GaraniScore: 7.1
Rosy MazzacuratiRosyScore: 2.5
Maria Pia LuziUn'invitataScore: 4.5
Umberto EcoMan at the Party (uncredited)Score: 4.5
Michelangelo Antonioni (Director), Ennio Flaiano (Story), Michelangelo Antonioni (Story), Michelangelo Antonioni (Screenplay), Tonino Guerra (Screenplay), Ennio Flaiano (Screenplay), Tonino Guerra (Story), Gianni Di Venanzo (Director of Photography), Piero Zuffi (Production Design), Emanuele Cassuto (Producer), Giorgio Gaslini (Original Music Composer), Eraldo Da Roma (Editor), Paolo Frascà (Production Manager), Franco Freda (Makeup Artist), Franco Indovina (First Assistant Director), Berto Pelosso (First Assistant Director), Liana Ferri (Script Supervisor), Claudio Maielli (Sound), Pasqualino De Santis (Camera Operator), Mimì Chaperon (Makeup Artist),
Michelangelo AntonioniDirectorScore: 10.2
Ennio FlaianoStoryScore: 4.2
Michelangelo AntonioniStoryScore: 10.2
Michelangelo AntonioniScreenplayScore: 10.2
Tonino GuerraScreenplayScore: 3.5
Ennio FlaianoScreenplayScore: 4.2
La Notte Trailers & Teasers
'La Notte' Official Trailer (HD). First teaser trailer of la notte, the Michelangelo Antonioni's popular movie. Watch the la notte teaser trailer. Michelangelo Antonioni’s #la-notte is now on 4K UHD, Blu-ray and digital platforms.
▶ La Notte - Trailer
▶ Mark Kermode reviews Antonioni's La Notte (1961) | BFI Player
▶ Three Reasons: La notte
La Notte Screencaps, Images & Pictures
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La Notte Posters
All released movie posters so far for the movie la notte - 1961. A poster for Michelangelo Antonioni drama movie, La Notte! High resolution official theatrical movie poster (#1 of 10) for la notte (1961). Image dimensions: 2025 x 3000.
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La Notte Movie Languages & Subtitles
Français Giovanni Pontano, écrivain reconnu, est attendu à la maison d'édition Bompani, où il doit présenter son dernier roman. Au préalable, il rend visite, avec sa femme Lidia, à Tommaso Garrani, un ami proche hospitalisé, pour l'assister dans ses derniers instants. Lidia, qui trouvait auprès de Tommaso l'attention et l'admiration que son époux ne songe plus à lui prodiguer, est à ce point désespérée qu'elle s'en va errer dans les rues, aspirant à mourir elle aussi. Le soir venant, elle retrouve pourtant Giovanni ; tous deux sont invités à la réception mondaine que donnent les Gherardini. Toute la nuit, ils y promènent leur tristesse et un incommensurable sentiment d'incompréhension et d'indifférence mutuels…
Deutsch Zwei in seelischer Leere erstarrte Menschen erkennen die Vergeblichkeit ihrer Ehe und alles Irdischen. Ein trüber Morgen sieht sie in Hilfe suchender Umklammerung, auf der Flucht vor dem Nichts. Antonionis brillant inszenierter Film analysiert auf höchstem künstlerischem Niveau eine der Krankheitserscheinungen unserer Zeit: die Vereinzelung des Menschen, seine Unfähigkeit zur Kommunikation. Einer der einflußreichsten Filme des europäischen Nachkriegskinos, der - nicht zuletzt wegen seiner hervorragenden Darsteller - auch heute noch zu faszinieren vermag.
Español Retrato de la vida cotidiana de un matrimonio burgués que atraviesa una crisis de pareja. En Milán, tras visitar a un amigo enfermo terminal en un hospital, el escritor Giovanni Pontano (Marcello Mastroianni) acude a una fiesta por la publicación de su último libro. Mientras, su mujer Lidia (Jeane Moreau) visita el lugar donde vivió muchos años atrás. Luego, durante la noche, ambos acuden a una fiesta en la mansión del Sr. Gherardini, donde ambos comienzan a flirtear; Giovanni con la hija del anfitrión, y Lidia con un playboy.
Italiano L'unione dello scrittore Giovanni e di sua moglie Lidia è ormai arrivata a un punto morto. Tra noia, flirt abbozzati e vagabondaggi senza meta, i due, a volte insieme, a volte separati, passano una giornata grigia, attanagliati dal loro malessere interiore. L'alba del giorno dopo li sorprende però in un attimo fugace di felicità.
Português Depois de visitar um amigo que está morrendo no hospital, um escritor vai com sua esposa para uma grande festa numa mansão milanesa. Eles estão casados há 10 anos e constatam a falência do casamento. Todo o filme se passa numa tarde de sábado até a madrugada de domingo.
svenska Efter tio års äktenskap har författaren Giovanni och hans fru Lidia glidit isär. Giovanni är inte längre attraherad av sin fru, hon finner honom tråkig och självcentrerad. Under loppet av en natt ställs de inför hjärtesorg, desperation och personlig förlust.
Magyar Giovanni, a Milánóban élő, sikeres író sivárrá vált belső világa lepleződik le a felesége, Lídia előtt egyetlen nap alatt. Lídia híres magányos sétáját a külvárosban a haldokló barátjuknál tett reggeli kórházi látogatás és az ürességet fényűzéssel leplező nagypolgári estély fogja közre, hogy aztán a hajnal hideg sivárságában szembesítse férjét egykori önmagával...
Pусский Писатель — Джованни, его супруга — Лидия… Потемки творческого кризиса… Закат чувств… Сумерки привычек… Больница, близкий друг, погружающийся в «ночь»… Бессильные поиски просвета: тьма воспоминаний, ночной ресторан, богатая ночная вечеринка… Юная Валентина со своей маленькой «ночью» в душе… Утренний «ливень» отчаяния, откровений, откровенности, которые может быть…
Nederlands Er wordt een feestje georganiseerd ter gelegenheid van het nieuwe boek van schrijver Giovanni Pontano. Alvorens hij daar arriveert is de avond al dramatisch. Hij en zijn vrouw bezoeken een vriend in het ziekenhuis die stervende is.
Український Дія цього фільму уміщається всього в одну ніч. Незабаром після відвідин хворого Томмазо, письменник Джованні з дружиною Лідією влаштовують вечірку з нагоди виходу його нової книги. Один з гостей, промисловець Герардіні пропонує Джованні стати його співробітником, але той більше думає про Валентину, доньку Герардіні. Поки він намагається позалицятися до неї, за Лідією починає увиватися якийсь юнак. Веселощі стихають, коли гості дізнаються про смерть Томмазо. Лідія згадує, як той любив її колись, відбувається сварка з Джованні.
Türkçe Tanınmış bir yazar ve eşi, on yıllık evliliklerinin ardından ilişkilerinin bitme noktasına geldiğini farketmeye başlarlar. Kadın bu evlilikten sıkılmıştır. Bir aile dostuyla olan evlilik dışı ilişkisi, adamın aniden ölmesiyle kadını iyice umutsuzluğa itmiştir.Film bir günü ve bir geceyi anlatır. Şafak sökmeye başladığında, çiftin katılmış olduğu parti de bitmektedir ve alışkanlıklar, korku, yalnızlık ve acı, çifti son kez bir araya getirir...
Română Giovanni Pontano, un scriitor de succes, vizitează împreună cu soția sa, Lidia, un prieten aflat în spital. Apoi cei doi se îndreaptă spre locația unei petreceri organizate cu ocazia lansării noii cărți a lui Giovanni Pontano. Lidia părăsește petrecerea și începe să rătăcească pe străzile din Milano, astfel ajungând în cartierul în care a locuit odată, împreună cu soțul ei. Noaptea, cei doi soți iau parte la o petrecere dată de un milionar ce vrea ca Giovanni Pontano să scrie o carte despre istoria companiei sale. În timpul nopții, scriitorul flirtează cu fata gazdei, Valentina, iar Lidia pleacă de la petrecere însoțită de un tânăr.
български език Бракът между писателя Джовани и съпругата му Лидия крета без страст. След посещението си у умиращ приятел двамата отиват на коктейл по повод излизането на последната книга на Джовани, после и на купон у един индустриалец. Там, посред ексцентрични ритуали, Джовани флиртува с Клаудия - дъщерята на стопанина, а Лидия отблъсква ухажването на един от гостите. Призори, в градината на вилата, двамата обсъждат отношенията си и накрая отчаяно се любят.
Polski Giovanni i Lydia są małżeństwem z dość krótkim stażem. Razem odwiedzają swojego wspólnego przyjaciela, którego życie dobiega końca. Po tej trudnej dla obojga wizycie Giovanni wybiera się na przyjęcie, zorganizowane z okazji wydania jego nowej książki, Lydia natomiast odwiedza miejsca związane z jej młodością. Ich wzajemne odosobnienie po nocy spędzonej z innymi osobami doprowadzi do dramatycznego finału. [filmweb.pl]
한국어/조선말 성공한 작가인 조반니와 그의 아내 리디아는 병으로 죽어가는 친구 토마소를 찾아 병원을 방문한다. 이후 조반니는 그의 신작 발매를 기념하는 행사장으로 떠나고 리디아는 밀라노 시내를 홀로 걷는다. 다시 집으로 돌아온 두 사람은 한 백만장자의 파티장을 방문한다. 조반니는 백만장자와 그 가족들의 이야기를 출간하기로 되어 있다. 두 사람은 각기 다른 사랑을 찾고 있으며 서로가 그 사실을 안다. 그날 밤 토마소가 세상을 떠났다는 전화가 걸려 오고 다음 날 아침 리디아는 조반니에게 더 이상 그를 사랑하지 않고 있음을 고백한다.
Português Ao longo de um dia e uma noite, um escritor e sua esposa angustiada lamentam o fim de seu relacionamento. Monica Vitti, eterna musa de Antonioni, é uma socialite sedutora.
Slovenčina Vrcholné dielo svetovej kinematografie šesťdesiatych rokov. Divák tu vstupuje do sveta nóbl spoločnosti, ale predovšetkým do vnútorného emočného sveta postáv príbehu. Práve toto bolo jednou z najväčších kvalít režiséra Antonioniho, ktorý dokázal ako jeden z mála v takej intenzite vo filme zobraziť hĺbku útesu odcudzenia.
فارسی نویسنده ای به نام "جیوانی پونتانو" پس از دیدار با دوستش،به مهمانی که به مناسبت چاپ جدیدترین کتابش گرفته شده می رود و همسرش "لیدیا پونتانو" از مکانی که سالها پیش در آن زندگی می کرده بازدید می کند.آنها به مهمانی یکی از مردان ثروتمند میلان می روند.در میانه شب "جیوانی" با دختر میزبان آشنا شده و...
ελληνικά Ο Τζιοβάνι και η Λίντια, είναι ένα πλούσιο ζευγάρι που έχει χάσει τον έρωτα και ζει στο Μιλάνο, προσποιούμενο σε ένα μεγαλοαστικό κοινωνικό περίγυρο. Μετά από μια επίσκεψη σ έναν ετοιμοθάνατο φίλο τους, έρχεται η ώρα να λήξουν αυτή τη σχέση, αναπροσδιορίζοντας συναισθήματα μέσα από μια επίπονη αυτοκριτική.
Español Retrato de la vida cotidiana de un matrimonio burgués que atraviesa una crisis de pareja. En Milán, tras visitar a un amigo enfermo terminal en un hospital, el escritor Giovanni Pontano (Marcello Mastroianni) acude a una fiesta por la publicación de su último libro. Mientras, su mujer Lidia (Jeane Moreau) visita el lugar donde vivió muchos años atrás. Luego, durante la noche, ambos acuden a una fiesta en la mansión del Sr. Gherardini, donde ambos comienzan a flirtear; Giovanni con la hija del anfitrión, y Lidia con un playboy.
Český Popis čtyřiadvaceti hodin v životě odcizeného manželského páru: návštěva umírajícího přítele, luxusní večírek, chvíle v nočním baru, bloumání po milánských ulicích. Prostřednictvím rafinovaného jazyka proniká režisér do nitra postav, které nemají vážné problémy, a přesto jim jejich existence protéká mezi prsty. Hrdinové jsou nazíráni jako objekty bez směřování a vlastní vůle. Žijí ve stavu „nesnesitelné lehkosti bytí“ v průmyslovém světě, z něhož se vytratily tradiční hodnoty. Pod hladinou všedních epizod probleskuje touha, nevěra, strach ze smrti a nejistota. V bezpříběhové sondě do života „lepší společnosti“ předjímá Antonioni obecné pocity dneška. Jeanne Moreauová a Marcello Mastroianni v jedné ze svých nejnáročnějších rolí.
Lietuvių Pripažintas rašytojas Džovani Pontano su žmona Lidija vyksta į vakarėlį pas magnatą Gerardini. Nors moteris ir ne itin nori, tačiau sutinka, nes vyras tikisi susitarti dėl naujos knygos leidimo. Vakarėlis ūžia, o pora tampa viso šėlsmo stebėtoja. Džovanis ieško naujų literatūros personažų, situacijų ir aptinka žavingą šeimininko dukrą Valentiną. Lidija stebi visus, tačiau akys visą laiką ieško Džovanio. Ir vienas, ir kitas įsitraukia į naktinius žaidimus, kurie padeda Lidijai ir Džovaniui suprasti, ką jie vienas kitam reiškia. 1961 m. Tarptautiniame Berlyno kino festivalyje filmas „Naktis“ apdovanotas „Auksiniu lokiu“.
Dansk Michelangelo Antonionis Guldbjørn-vindende drama om ægteparret Giovanni og Lidia, som husker tilbage til da de først mødtes, for senere ved en fest at møde nye mennesker, som gør deres nat til en følelsesmæssigt begivenhedsrig rejse.
Català Retrat de la vida quotidiana d'un matrimoni burgès que travessa una crisi de parella. A Milà, després de visitar un amic malalt terminal a un hospital, l'escriptor Giovanni Pontano (Marcello Mastroianni) acudeix a una festa per la publicació del seu darrer llibre. Mentrestant, la seva dona Lidia (Jeane Moreau) visita el lloc on va viure molts anys enrere. Després, durant la nit, tots dos acudeixen a una festa a la mansió del Sr. Gherardini, on tots dos comencen a flirtejar; Giovanni amb la filla de l'amfitrió, i la Lidia amb un playboy.
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Based on the extraordinary character at the center of Charlie and the Chocolate Factory, the jewel in the Roald Dahl crown and one of the best‐selling childre...
A three-part anthology about love and sexuality by three master directors from three disparate cultures. "The Dangerous Thread of Things" is the story of a ménage-a-trois between a couple and a young woman on the coast of Tuscany. (Directed by Academy Award-nominee Michelangelo Antonioni.) "Equilibrium" tells of an advertising executive under enormous pressure at work. During visits with his psychiatrist, they delve into the possible reasons why his stress seems to manifest itself in a recurring erotic
dream. (Directed by Academy Award-winner Steven Soderbergh and starring Robert Downey Jr., and Academy Award-winner Alan Arkin.) "The Hand" is a richly textured and achingly emotional erotic tale about a young tailor's long-time unrequited love for a beautiful Hong Kong courtesan. (Directed by Wong Kar-Wai.)
This major early achievement by Michelangelo Antonioni bears the first signs of the cinema-changing style for which he would soon be world-famous. Le amiche (The Girlfriends) is a brilliantly observed, fragmentary depiction of modern bourgeois life, conveyed from the perspective of five Turinese women. As four of the friends try to make sense of the suicide attempt of the fifth, they find themselves examining their own troubled romantic lives. With suggestions of the theme of modern alienation and the fastidious visual abstraction that would define his later masterpieces such as L’avventura, L’eclisse, and Red Desert, Antonioni’s film is a devastating take on doomed love and fraught friendship.
Michelangelo Antonioni invented a new film grammar with this masterwork. An iconic piece of challenging 1960s cinema and a gripping narrative on its own terms, L’avventura concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her disaffected lover (Gabriele Ferzetti) and best friend (Monica Vitti, in her breakout role). Antonioni’s controversial international sensation is a gorgeously shot tale of modern ennui and spiritual isolation.
During the swinging 60s, a London photographer believes he inadvertently photographed evidence of a murder only to have the evidence mysteriously disappear. Acclaimed director Michelangelo Antonioni received Oscar-nominations for both Directing and Screenplay for this pop thriller. Starring David Hemmings ("Camelot"), Sarah Miles ("Ryan's Daughter"), and Oscar-winner Vanessa Redgrave ("Julia", "Howard," End").
The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L’avventura and La notte), L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon). Using the architecture of Rome as a backdrop for the doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of connection in an alienating modern world.
Kim realizes that her crime-fighting lifestyle has prevented her from having a steady boyfriend and that Ron may be the only prospect as her date for the upcoming junior prom, a distasteful prospect in the eyes of the other cheerleaders. However, Ron introduces Kim to Erik, the new guy at school who invites Kim to the prom, sparking jealousy in Ron who wonders if he has deeper feelings for his friend Kim. Meanwhile, in his scheme to conquer the world, Drakken captures Kim's dad and it's up to Ron to put his jealousy aside, track down a lovestruck Kim and rescue her dad from a certain fate with a mutant octopus.
In the premiere season, Hollywood manager Marki Costello is a master of juggling celebrity egos and drama, but her recently launched kids division has sent her stress levels sky-rocketing as she is constantly butting heads with Tinseltown's most over-bearing stage moms. But while "Marki magic" does wonders for her business, Marki's long-term boyfriend Tommy takes the reigns at home, especially when it comes to their boys. Giving up control isn't easy, so Marki makes sure she's still the queen bee--at home and in Hollywood.
The Drama Club follows a group of middle schoolers as they shine a light on the inner workings of their school’s overlooked drama club.
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