Pasolini summary and reviews

Pasolini synopsis, summary and reviews

5.6
5.6 star

Pasolini (2019) Movie Summary

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  • HISTORY
  • DRAMA
  • Unrated
  • 2019
  • FULL HD

The Roman life and the imaginary worlds of Pier Paolo Pasolini intermingle in Abel Ferrara’s retelling of the final days in the life of the fifty-year-old filmmaker and writer, in a lovely, haunting film that draws on his last interview and envisages scenes from an unmade final film and his incomplete novel, Petrolio. Willem Dafoe, regally exhausted, is the spitting image of the murdered director, and Pasolini’s beloved muse Ninetto Davoli returns to “finish” his friend’s work, but Ferrara wisely never attempts to merely ape Pasolini’s style, instead offering one iconoclastic artist’s tribute to another, a biopic that busts the boundaries of the form and a passion project decades in the imagining that gives Pasolini’s final moments on the beach at Ostia the terrible sanctity of the Passion.

Pasolini Film Synopsis

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

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Pasolini Movie Reviews

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Pasolini (2019) Series Cast & Crew

Pasolini (2019) cast and crew credits, including actors, actresses, directors, writers and more. Willem Dafoe (Pier Paolo Pasolini), Ninetto Davoli (Epifanio), Riccardo Scamarcio (Ninetto Davoli), Valerio Mastandrea (Nico Naldini), Roberto Zibetti (Carlo), Andrea Bosca (Andrea Fago), Giada Colagrande (Graziella Chiarcossi), Damiano Tamilia (Pino Pelosi), Francesco Siciliano (Furio Colombo), Luca Lionello (Narrator (voice)), Salvatore Ruocco (Politician), Adriana Asti (Susanna Pasolini), Maria de Medeiros (Laura Betti), Guillaume Rumiel Braun (Interviewer), Dounia Sichov (Stewardess), Pietro Angelini (Sandro), Caterina Fornaciai (Stewardess Petroi), Rosa Diletta Rossi (Patrizia), Matthias Arduini (Patrizia's Child), Francesco Acquaroli (Aldo Pommidoro), all returned for pasolini movie.

Willem Dafoe (Pier Paolo Pasolini)
Willem DafoePier Paolo PasoliniScore: 33.2
Ninetto Davoli (Epifanio)
Ninetto DavoliEpifanioScore: 4.5
Riccardo Scamarcio (Ninetto Davoli)
Riccardo ScamarcioNinetto DavoliScore: 8.1
Valerio Mastandrea (Nico Naldini)
Valerio MastandreaNico NaldiniScore: 1.6
Roberto Zibetti (Carlo)
Roberto ZibettiCarloScore: 2.0
Andrea Bosca (Andrea Fago)
Andrea BoscaAndrea FagoScore: 4.8
Giada Colagrande (Graziella Chiarcossi)
Giada ColagrandeGraziella ChiarcossiScore: 1.3
Francesco Siciliano (Furio Colombo)
Francesco SicilianoFurio ColomboScore: 1.0
Luca Lionello (Narrator (voice))
Luca LionelloNarrator (voice)Score: 4.1
Salvatore Ruocco (Politician)
Salvatore RuoccoPoliticianScore: 1.6
Adriana Asti (Susanna Pasolini)
Adriana AstiSusanna PasoliniScore: 3.0
Maria de Medeiros (Laura Betti)
Maria de MedeirosLaura BettiScore: 7.4
coursera

Conchita Airoldi (Producer), Abel Ferrara (Director), Abel Ferrara (Idea), Thomas Gauder (Sound Re-Recording Mixer), Igor Gabriel (Production Design), Maurizio Braucci (Screenplay), Augusto Caminito (Associate Producer), Diego Prestopino (Makeup Artist), Diego Prestopino (Special Effects Makeup Artist), Benoît Dervaux (Camera Operator), Joseph Rouschop (Producer), Neil Benezra (ADR Recordist), Thierry Lounas (Producer), Stefano Falivene (Director of Photography), Francesco Di Giacomo (Additional Photography), Fabio Nunziata (Editor), Lionel Kopp (Colorist), Francesco Lucarelli (Assistant Sound Editor), Benoît Biral (Foley Mixer), Federico Carretti (Makeup Artist),

Conchita Airoldi (Producer)
Conchita AiroldiProducerScore: 2.7
Abel Ferrara (Director)
Abel FerraraDirectorScore: 2.0
Abel Ferrara (Idea)
Abel FerraraIdeaScore: 2.0
Lionel Kopp (Colorist)
Lionel KoppColoristScore: 1.4
Benoît Biral (Foley Mixer)
Benoît BiralFoley MixerScore: 0.6
Olivier Père (Co-Producer)
Olivier PèreCo-ProducerScore: 0.8
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Pasolini Trailers & Teasers

'Pasolini' Official Trailer (HD). First teaser trailer of pasolini, the Abel Ferrara's popular movie. Watch the pasolini teaser trailer. Abel Ferrara’s #pasolini is now on 4K UHD, Blu-ray and digital platforms.

Pasolini (2014) - Trailer English Subs▶ Pasolini (2014) - Trailer English Subs

Pasolini Screencaps, Images & Pictures

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Pasolini Movie Screencaps, Images & Pictures

A kaleidoscopic look at the last day of Italian filmmaker Pier Paolo Pasolini in 1975...

Pasolini — 2019

Pasolini Posters

All released movie posters so far for the movie pasolini - 2019. A poster for Abel Ferrara drama movie, Pasolini! High resolution official theatrical movie poster (#1 of 10) for pasolini (2019). Image dimensions: 2025 x 3000.

PASOLINI POSTER BIOGRAPHY POSTER
Pasolini poster 1
Pasolini poster 2
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Pasolini Movie Posters
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Pasolini Movie Languages & Subtitles

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български език
2 ноември 1975 г. Последният ден от живота на Пиер Паоло Пазолини, в който той очаква найновият му филм Сало или 120-те дни на Содом да разбуни духовете. В това елегично преклонение от артист към артиста, Абел Ферара избира поразително приличащият на Пазолини Уилем Дефо за главната роля.

Český
Poslední den velké osobnosti italské kultury a veřejného života, básníka, romanopisce, režiséra a herce Piera Paola Pasoliniho, jehož barbarské zavraždění 2. listopadu 1975 nebylo nikdy plně objasněno. Ve filmu Abela Ferrary, představeném na festivalu v Benátkách 2014, ztělesnil titulní postavu Willem Dafoe. (51st KVIFF)

Dansk
Et tilbageblik på den italienske filmskaber og digter Pier Paolo Pasolini’s sidste dage af livet i 1975. Pasolini har netop afsluttet optagelserne af filmen "Salò eller de 120 dage i Sodoma", som blev hans sidste: en film, der chokerede publikum og kritikere. Han blev kritiseret for sin homoseksualitet, og fordi han er så åben omkring sin skandaløse livsstil. En dag møder han en ung mand, han ønsker at indgå i et forhold med, men det hele ender i tragedie.

Deutsch
Rom, in der Nacht des 2. November 1975: Der große italienische Poet und Filmemacher Pier Paolo Pasolini wird ermordet. Das Symbol der Kunstbewegung, die gegen die Mächtigen kämpft, ist tot. Seine Werke waren skandalös, seine Filme wurden zensiert. Viele Leute liebten ihn, viele Leute hassten ihn. Seine letzten Stunden verbrachte er mit seiner geliebten Mutter und seinen besten Freunden. Bis er in die Nacht ging, mit seinem Alfa Romeo auf der Suche nach einem Abenteuer durch die Stadt fuhr und später an einem Strand in Ostia tot aufgefunden wurde. Eine Rekonstruktion, teilweise Realität, teilweise Traum, was in seinen letzten Stunden passierte…

ελληνικά
Νοέμβριος 1975. Σε μια διεφθαρμένη Ιταλία, όπου ο φόβος της αλήθειας και του πάθους βασιλεύει, ο Πιερ Πάολο Παζολίνι, ο οποίος ολοκληρώνει το αριστούργημα του SALO, καταγγέλλει και επιτίθεται διαρκώς στους πολιτικούς της χώρας του, γράφοντας οργισμένα άρθρα, τα οποία τελικά βάζουν τη ζωή του σε κίνδυνο. Κατά τη διάρκεια της τελευταίας ημέρας της ζωής του ο Παζολίνι περνάει τις ώρες του με την πολυαγαπημένη του μητέρα και αργότερα με τους καλούς του φίλους πριν τελικά μπει στην Alpha Romeo του για την αναζήτηση νυχτερινών περιπετειών στην Αιώνια Πόλη. Μια βιογραφική ταινία για την τελευταία μέρα του μεγάλου Ιταλού δημιουργού Πιερ Πάολο Παζολίνι και τη σύγχυση που επικρατεί σχετικά με το θάνατό του.

Español
La noche del 2 de noviembre de 1975, Pier Paolo Pasolini es asesinado en Roma. El director era el símbolo del arte revolucionario que lucha contra el poder. Sus escritos eran escandalosos; sus películas, perseguidas por los censores. Era tan amado como odiado. Ese día, Pasolini había pasado sus últimas horas con su madre y con sus amigos; por la noche se lanzó a la calle en busca de aventuras. Al amanecer, su cadáver fue hallado en una playa de Ostia, en las afueras de la ciudad. (FILMAFFINITY)

Français
Rome, novembre 1975. Le dernier jour de la vie de Pier Paolo Pasolini. Sur le point d’achever son chef-d’oeuvre, il poursuit sa critique impitoyable de la classe dirigeante au péril de sa vie. Ses déclarations sont scandaleuses, ses films persécutés par les censeurs. Pasolini va passer ses dernières heures avec sa mère adorée, puis avec ses amis proches avant de partir, au volant de son Alfa Romeo, à la quête d’une aventure dans la cité éternelle...

Italiano
Nel novembre 1975 a Roma, in una Italia persa, corrotta e divorata dalla paura della verità, Pier Paolo Pasolini, che sta terminando il capolavoro Salò, trascorre le sue ultime ore nella casa di famiglia, scrivendo lettere e concedendo un'intervista a Furio Colombo. Avvertito dai suoi più cari amici, che lo mettono in guardia e lo invitano a smettere di scrivere i suoi incendiari articoli contro le ingiustizie di potere, Pasolini si appresta a uscir la sera a bordo della sua Alfa Romeo in cerca di avventura.

ქართული
ფილმი გენიალური რეჟისორის პიერ პაოლო პაზოლინის ცხოვრების უკანსკნელ საათაბზე.

한국어/조선말
는 시인이자 영화감독이었던 이탈리아 거장 피에르 파올로 파솔리니의 마지막 하루를 재구성한 문제작이다. 1975년 11월2일 살해 당일 파솔리니는 어머니와 몇몇 가까운 친구들과 함께 시간을 보낸 후 로마로 밤의 유희를 즐기러 떠난다. 다음 날 오스티 해변가에서 그의 시신이 발견된다. 파솔리니만큼 많은 스캔들을 불러일으킨 영화사의 거장도 없을 것이다. (1971), (1975) 등 검열에 도전하는 파격적이고 불편한 영화들을 만들었으며 그의 작품에 대해서는 늘 찬반양론이 엇갈렸다. 이를 반영이라도 하듯 페라라의 신작은 파솔리니의 영화 일부를 스크린에 투영하며 문을 열고, 그것을 들여다보는 거장의 모습으로 옮겨간다. 세계적인 성격파 배우 윌렘 데포가 파솔리니 역을 맡아 열연한 이 영화는 아벨 페라라와 윌렘 데포 콤비가 만들어낸 최신작으로 현실과 판타지를 넘나드는 강렬함으로 가득하다. (이수원_2014년 제19회 부산국제영화제)

Nederlands
Rome, 1975. In de nacht van 2 november wordt de bekende Italiaanse dichter en filmmaker Pier Paolo Pasolini vermoord. Pasolini is het symbool van de kunst die strijdt tegen de macht. Zijn geschriften zijn schandalig, zijn films worden gecensureerd; veel mensen houden van hem en velen haten hem. De dag van zijn dood spendeert Pasolini zijn laatste uren met zijn geliefde moeder en later met zijn beste vrienden, vooraleer hij in zijn Alfa Romeo de nacht inrijdt op zoek naar avontuur in de eeuwige stad. Bij het ochtendgloren wordt Pasolini dood teruggevonden op een strand in Ostia, aan de rand van de stad.

Polski
Film biograficzny o życiu i twórczości włoskiego filmowca - Piera Paolo Pasoliniego.

Português
Um olhar caleidoscópico sobre o último dia do cineasta italiano Pier Paolo Pasolini, em 1975.

Português
Um dia, uma vida. Roma, na noite de 2 de Novembro de 1975... O grande poeta e cineasta italiano Pier Paolo Pasolini é assassinado. Pasolini é um símbolo de uma arte que batalha contra o poder. Os seus escritos são escandalosos, os seus filmes são perseguidos pelos censores, muita gente o ama e muitos o odeiam. No dia da sua morte, Pasolini passa as últimas horas com a sua amada mãe e mais tarde com os amigos mais próximos, e finalmente sai para a noite no seu Alfa Romeo em busca de aventura na cidade eterna. Pela aurora, Pasolini é encontrado morto numa praia em Ostia nos arredores da cidade.

Pусский
История последних дней жизни итальянского режиссера Пьера Паоло Пазолини.

普通话
  1975年11月2日,意大利著名导演帕索里尼的尸体在罗马近郊奥斯蒂海滩被发现,死前明显受到过暴力攻击。在此之前他刚刚完成那部常被评为世界十大禁片之首的《索多玛的120天》。由于凶手被传闻是一名17岁的男妓,这个悲剧被染上香艳色彩,也有人猜测这位意见领袖的死亡完全是政治阴谋,而事情真相至今仍是个谜。   影片择取的正是帕索里尼(威廉·达福 Willem Dafoe)被害前的最后一天。导演平静安宁的和心爱的母亲、前男友、还有《索多玛120天》的女演员用餐,与亲密的朋友聚会并分享最近的电影构思,然后驾着车穿梭在男妓聚集区搜寻一夜风流的目标。费拉拉将帕索里尼被害前正在创作下一部作品——一部充斥着大量性爱描写、探讨宇宙与真理的影片手稿,大胆的用自己的方式表现了出来,与纪实部分一起完成了颠覆性的叙事。

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Pasolini summary, synopsis, reviews
PasoliniDrama2019

The Roman life and the imaginary worlds of Pier Paolo Pasolini intermingle in Abel Ferrara’s retelling of the final days in the life of the fifty-year-old filmmaker and writer, in a lovely, haunting film that draws on his last interview and envisages scenes from an unmade final film and his incomplete novel, Petrolio. Willem Dafoe, regally exhausted, is the spitting image of the murdered director, and Pasolini’s beloved muse Ninetto Davoli returns to “finish” his friend’s work, but Ferrara wisely never attempts to merely ape Pasolini’s style, instead offering one iconoclastic artist’s tribute to another, a biopic that busts the boundaries of the form and a passion project decades in the imagining that gives Pasolini’s final moments on the beach at Ostia the terrible sanctity of the Passion.

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