Bob Dylan is captured on-screen as he never would be again in this groundbreaking film from D. A. Pennebaker. The legendary documentarian finds Dylan in England during his 1965 tour, which would be his last as an acoustic artist. In this wildly entertaining vision of one of the twentieth century’s greatest artists, Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price. Featuring some of Dylan’s most famous songs, including “Subterranean Homesick Blues,” “The Times They Are A-Changin’,” and “It’s All Over Now, Baby Blue,” Dont Look Back is a radically conceived portrait of an American icon that has influenced decades of vérité behind-the-scenes documentaries.
Dont Look Back Film Synopsis
Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.
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Dont Look Back (1967) cast and crew credits, including actors, actresses, directors, writers and more. Sophie Marceau (Jeanne), Monica Bellucci (Jeanne), Brigitte Catillon (Nadia / Valérie), Andrea Di Stefano (Teo / Gianni), Thierry Neuvic (Teo #2), Sylvie Granotier (Nadia 2), Augusto Zucchi (Fabrizio), Giovanni Franzoni (Enrico), Vittoria Meneganti (Enfant brune 11 ans), Francesca Melucci (Enfant blonde 9 ans), Adrien de Van (Le psychiatre), Serena d'Amato (Donatella), Thomas De Araujo (Jeremie, age 8), Thaïs Fischer (Lea, age 6), all returned for dont look back movie.
Sophie MarceauJeanneScore: 2.0
Monica BellucciJeanneScore: 2.0
Brigitte CatillonNadia / ValérieScore: 2.0
Andrea Di StefanoTeo / GianniScore: 2.0
Thierry NeuvicTeo #2Score: 2.0
Sylvie GranotierNadia 2Score: 2.0
Augusto ZucchiFabrizioScore: 2.0
Adrien de VanLe psychiatreScore: 2.0
Jani Thiltges (Producer), Véronique Sacrez (Production Design), Marina de Van (Director), Dominique Colin (Director of Photography), Katja Wolf (Casting), Jacques Akchoti (Screenplay), Patrick Sobelman (Producer), Sébastien Delloye (Producer), Marina de Van (Idea), Mike Fromentin (Editor), Brigitte Moidon (Casting), Conchita Airoldi (Producer), Dino Di Dionisio (Producer), Diana Elbaum (Producer), Marina de Van (Screenplay), Luc Rollinger (Original Music Composer), Jean-Luc Simon (Assistant Editor), Thierry Van Cappellen (Set Decoration), Nathalie Wartel (Set Decoration), Magdalena Labuz (Costume Design),
Véronique SacrezProduction DesignScore: 1.6
Marina de VanDirectorScore: 2.0
Dominique ColinDirector of PhotographyScore: 2.0
Jacques AkchotiScreenplayScore: 2.0
Sébastien DelloyeProducerScore: 2.0
Marina de VanIdeaScore: 2.0
Dont Look Back Trailers & Teasers
'Dont Look Back' Official Trailer (HD). First teaser trailer of dont look back, the D. A. Pennebaker's popular movie. Watch the dont look back teaser trailer. D. A. Pennebaker’s #dont-look-back is now on 4K UHD, Blu-ray and digital platforms.
▶ Woman Transforms Into Another Woman (Recut)
▶ Trailer
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Dont Look Back Posters
All released movie posters so far for the movie dont look back - 1967. A poster for D. A. Pennebaker music documentaries movie, Dont Look Back! High resolution official theatrical movie poster (#1 of 10) for dont look back (1967). Image dimensions: 2025 x 3000.
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Dont Look Back Movie Posters
Dont Look Back Movie Languages & Subtitles
Deutsch Jeanne aus Paris ist eine erfolgreiche Journalistin und Mutter zweier reizender Kinder, doch ausgerechnet als sie beginnt, ihre im Dunkeln liegende Kindheit zum Gegenstand von Recherchen und einer Autobiografie zu machen, droht ihr das Glück zu entgleiten. Jeanne wird von merkwürdigen Wahrnehmungsstörungen heimgesucht, die sich bald zur handfesten Identitätskrise auswachsen. Ist Jeanne noch sie selbst? Und wer ist diese merkwürdige Frau, die in ihren Halluzinationen ihren Platz einnimmt. Um Gewissheit zu gewinnen, reist Jeanne nach Italien.
Français Jeanne, plongée dans l'écriture d'un premier roman, constate des changements mystérieux autour d'elle et voit son corps se transformer... Son entourage ne semble pas s'en apercevoir.Troublée, elle découvre chez sa mère une photographie qui la met sur la trace d'une femme, en Italie. Jeanne, désormais transformée, y trouvera la clef d'un étrange passé...
Pусский Жанна — писательница, замужем, имеет двоих детей. Она начинает замечать тревожащие её изменения в доме. Её тело начинает меняться. Но никто вокруг неё, кажется, этого не замечает. Семья списывает страхи Жанны на стресс, связанный с выходом её новой книги, но сама она понимает, что что-то другое, более глубокое и волнующее имеет место быть.Увиденное на фотографии побуждает Жанну отправится в Италию на поиски одной женщины. И там, преобразовавшись в другую женщину, РозаМарию, она наконец-то поймёт странный секрет её истинной сущности.
Türkçe Tüyler ürpertici atmosferi ve güçlü oyuncu kadrosuyla Don’t Look Back, psikolojik gerilim türünün bildik öğelerini alışılmadık biçimlerde ve yine kadın ekseninde kullanırken yönetmen Marina de Van’ın önceki filmi Dans ma peau / Derimin Altında’yı hatırlatıyor. Başrollerini Monica Bellucci ve Sophie Marceau’nun paylaştığı filmde, bir yazar olan Jeanne, bir fotoğrafın izinde İtalya’ya gider, burada bir kadının peşine düşer ve bu kadına dönüştüğünü fark eder.Dönüşüm, Cannes Film Festivali resmi seçkisinde yer aldı.
Polski Jeanne (Sophie Marceau) zagłębiona w pisaniu pierwszej powieści, zauważa tajemnicze zmiany zachodzące wokół niej, także swoje zmieniające się ciało.... Jej otoczenie zdaje się tego nie dostrzegać. Wzburzona, odkrywa u swojej matki fotografię, która ją naprowadza na ślad kobiety we Włoszech. Od tej chwili, zmieniona Jeanne (Monica Bellucci), znajduje tam klucz do tajemniczej przeszłości...
Český Jeanne (Sophie Marceau), pohlcená do psaní svého prvního románu, začíná pozorovat kolem sebe znepokojivé změny. Její tělo se začíná měnit, ale nikdo v jejím okolí to nepozoruje. Její rodina pokládá tyto obavy za výsledek stresu při dokončování románu, ale Jeanne si uvědomuje, že se děje něco mnohem hlubšího a mnohem více znepokojujícího. V domě své matky objeví fotografii, která ji přivede na stopu jedné ženy v Itálii. Tady, přeměněná v jinou ženu (Monica Belluci), odhalí zvláštní tajemství své identity.
Italiano Jeanne sposata e madre di due figli avverte improvvisamente alcuni cambiamenti nella sistemazione della casa, sente che il suo corpo si sta trasformando senza che nessuno se ne renda conto. Nonostante gli altri attribuiscano il suo stato di disagio alla stanchezza dovuta alla scrittura del suo nuovo libro, Jeanne sente, dentro di sé, che si tratta di qualcosa di assai più profondo. Un giorno a casa di sua madre scopre una fotografia che la condurrà in Italia e qui, ormai fisicamente trasformata, troverà la soluzione alla sua crisi d'identità.
Nederlands Jeanne is een schrijfster, is getrouwd en heeft twee kinderen. Ze ziet veranderingen die haar niet bevallen; haar lichaam lijkt te veranderen, maar er is niemand die het ziet. Volgens haar gezin ligt het aan het feit dat ze te gestrest is, omdat ze denkt dat ze haar volgende boek niet op tijd afkrijgt. Toch is Jeanne ervan overtuigd dat er iets aan de hand is.
Magyar Az írónő Jeanne jóravaló feleség és két gyermek boldog édesanyja. Az asszony arra lesz figyelmes, hogy mintha megváltoznának a dolgok az otthonában, a környezetében, ám ő az egyetlen, aki ezt észleli. Jeanne biztos benne, hogy nem a stressztől vagy a kimerültségtől lehet, hanem valami más oka van. Lassan beleőrül mindabba, ami vele, körülötte történik. Amikor az anyjához megy látogatóba, felfigyel nála egy fényképre, ami arra készteti, hogy Olaszországba utazzon, hogy magyarázatot kapjon a rejtélyre. Itáliában Jeanne teljes átalakuláson megy keresztül, egy olasz nővé, Rosa Mariavá válik.
Português Depois de ver o romance que escreveu ser recusado pelo editor com quem trabalha como biógrafa, Jeanne começa a sentir estranhas alterações no seu dia-a-dia. Os móveis não estão no mesmo sítio, o marido e os filhos mudaram, a sua própria cara parece-lhe diferente. Quando vai a casa da mãe, escritora de sucesso, encontra uma fotografia que a vai perturbar ainda mais e que a faz partir para Itália tentar perceber a sua história e as transformações do seu corpo. Quando regressa já não é a mesma…
普通话 珍妮（苏菲•玛索 Sophie Marceau 饰）是居住在法国的一名美女作家，她和丈夫迪奥（Andrea Di Stefano 饰）共同经营一个幸福美满的四口之家。但是近一段时间，珍妮却感到令人难以承受的压力。客户的要求让她无法随心所欲写作，渐渐地珍妮发现周遭的一切开始发生变化，房间、丈夫、儿女甚至她自己的容貌都让人倍感陌生。珍妮的歇斯底里使家中的欢乐荡然无存，她和丈夫的婚姻也走到尽头。某天，珍妮的容貌也完全发生改变，变成了一个拥有一头黑发、大眼明眸的异域风情女子（莫妮卡•贝鲁奇 Monica Bellucci 饰）。她偶然在母亲的住所看到一张相片，于是启程前往意大利，寻找自己真正的本源归宿……
Español Jeanne (Sophie Marceau), una escritora casada y con dos niños, empieza a observar cambios tanto en su hogar como en su cuerpo. Sin embargo, su familia asegura que todo son imaginaciones suyas, fruto del estrés que le produce terminar el libro que está escribiendo. Ella, por el contrario, está convencida de que algo grave está ocurriendo. Una fotografía encontrada en la casa de su madre la impulsa a ir a Italia. Allí, transformada en otra mujer, Jeanne Rosa Maria (Monica Bellucci), deberá descubrir un oscuro secreto relacionado con su propia identidad.
ελληνικά H Ζαν είναι συγγραφέας, παντρεμένη και μητέρα δύο παιδιών η οποία σε ανύποπτο χρόνο αρχίζει να βιώνει διάφορες αλλαγές στον εαυτό της χωρίς όμως να γίνεται αντιληπτό από τους άλλους. Την περίεργη ψυχολογική της κατάσταση οι οικείοι της την αποδίδουν στο στρες που έχει λόγω του νέου της βιβλίου που θέλει να τελειώσει, όμως η αλήθεια δεν είναι τόσο απλή και θα ανακαλύψει πολύ σύντομα την πραγματική της ταυτότητα.
עִבְרִית סופי מרסו (לב אמיץ) ומוניקה בלוצ'י (הדירה, בלתי הפיך) מככבות כאותה אישה במותחן פסיכולוגי אניגמטי של הבמאית מרינה דה ואן (In My Skin). מרסו היא ז'אן, סופרת נשואה באושר, שמתחילה לחוש שינויים מרחיקי לכת בנפשה ובגופה. הכל מתחיל עם התקפי חרדה ואיבוד זיכרון. אחר כך מתחילים השינויים הפיזיים, הן אצלה, הן באיך שהיא רואה את יקיריה. אבל נראה שאף אחד לא שם לב לכך, לא בעלה החתיך ולא אמה השחקנית. כשהשינוי הסופי יגיע היא תצא לאיטליה לפתור את תעלומת הזהות המנופצת שלה. בתפקיד הבעל, האיטלקי אנדריאה די סטפאנו (לפני שהלילה יורד).
Український Жанна — письменниця, заміжня, має двох дітей. Вона починає помічати зміни в будинку. Її тіло починає мінятися. Але ніхто довкола неї, здається, цього не помічає. Сім'я списує страхи Жанни на стрес, пов'язаний з виходом її нової книги... Фотограф її матері посилає Жанну до Італії на пошуки однієї жінки. І там, перетворившись в іншу жінку, РозаМарію, вона нарешті зрозуміє дивний секрет її дійсної суті.
Português Jeanne (Sophie Marceau) é uma jornalista que tenta escrever seu primeiro romance autobiográfico, mas não consegue se lembrar de nada do que viveu antes dos oito anos de idade. Aos poucos, as pessoas à sua volta aparecem diferentes: seu marido, seus filhos e sua mãe aparecem como outras pessoas.
български език Жана е объркана домакиня, която е силно разстроена от промените, които търпи тялото й. Тя се опитва да завърши последната си книга, но това не й се отдава. След като намира стара снимка в шкафа на своята майка, тя мистериозно започва да се трансформира в италианка, също наречена Жана. Съпругът й, силно обезпокоен от случващото се с жена му, започва да се опитва да разгадае тайната, която му отнема жената, за да я превърне в тотално непозната.
Français Jeanne, plongée dans l'écriture d'un premier roman, constate des changements mystérieux autour d'elle et voit son corps se transformer... Son entourage ne semble pas s'en apercevoir.Troublée, elle découvre chez sa mère une photographie qui la met sur la trace d'une femme, en Italie. Jeanne, désormais transformée, y trouvera la clef d'un étrange passé...
한국어/조선말 두 아이의 엄마이자 작가인 잔느는 알 수 없는 혼란을 겪기 시작한다. 가족들은 새책을 출간하기 전의 스트레스로 생각하고 그런 두려움들을 쫓아내려 애쓰지만 잔느의 혼돈은 점차 깊어져간다. 엄마 집에서 발견한 사진 때문에 한 여자를 찾아 이탈리아로 여행을 간 잔느. 그녀는 그곳에서 자신의 또 다른 자아인 로즈 마리아라는 정체성을 발견하게 되는데... (2012 씨네코드 선재 - 10월 씨네프랑스)
ქართული ჯინი მწერალია, გათხოვილია და ორი შვილის დედაა. სახლში ის უცნაურ ცვლილებებს ამჩნევს. მის გარშემო ამას ვერავინ ხედავს. ოჯახის წევრები ამას მისი წიგნის დამთავრებისგან გამოწვეულ სტრესს აბრალებენ, მაგრამ ჯინი ხვდება, რომ რაღაც ბევრად ღრმა და შემაშფოთებელი ხდება. დედამისის სახლში ნაპოვნი ფოტოსურათის გამო ის იტალიაში გაემგზავრება, სადაც სხვა ქალად გადაქცეული, საკუთარი ვინაობის საიდუმლოს გაარკვევს.
Based on the extraordinary character at the center of Charlie and the Chocolate Factory, the jewel in the Roald Dahl crown and one of the best‐selling childre...
A mythic and emotionally charged hero’s journey, “Dune” tells the story of Paul Atreides, a brilliant and gifted young man born into a great destiny beyon...
Filmmaker Yorgos Lanthimos directs this incredible tale of the fantastical evolution of Bella Baxter (Emma Stone), a young woman brought back to life by the bri...
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Candid, revealing, insightful conversations with filmmakers who revolutionized the documentary in the late 1950s and early 1960s. Employing generous clips, THE ART OF OBSERVING LIFE features intimate talks with Robert Drew (Primary), Chris Hegedus and D.A. Pennebaker (The War Room, Monterey Pop, Don’t Look Back,), Allan King (A Married Couple, Warrendale), Richard Leacock (Primary, Crisis: Behind a Presidential Commitment), Albert Maysles (Salesman, Grey Gardens), Jonas Mekas (Walden, Reminiscences of a Journey to Lithuania), Lionel Rogosin (On The Bowery), and others.
The 1992 presidential election was a triumph not only for Bill Clinton but also for the new breed of strategists who guided him to the White House—and changed the face of politics in the process. For this thrilling, behind-closed-doors account of that campaign, renowned cinema verité filmmakers Chris Hegedus and D. A. Pennebaker captured the brainstorming and bull sessions of Clinton’s crack team of consultants—especially James Carville and George Stephanopoulos, who became media stars in their own right as they injected a savvy, youthful spirit and spontaneity into the process of campaigning. Fleet-footed and entertaining, The War Room is a vivid document of a political moment whose truths (“It’s the economy, stupid!”) still ring in our ears.
On a beautiful June weekend in 1967, at the height of the Summer of Love, the first and only Monterey International Pop Festival roared forward, capturing a decade’s spirit and ushering in a new era of rock and roll. Monterey would launch the careers of Jimi Hendrix, Janis Joplin, and Otis Redding, but they were just a few among a wildly diverse cast that included Simon and Garfunkel, the Mamas and the Papas, the Who, the Byrds, Hugh Masekela, and the extraordinary Ravi Shankar. With his characteristic vérité style, D. A. Pennebaker captured it all, immortalizing moments that have become legend: Pete Townshend destroying his guitar, Jimi Hendrix burning his. The Criterion Collection is proud to present this timeless document of a landmark event.
Unlocking the Cage follows animal rights lawyer Steven Wise in his unprecedented challenge to break down the legal wall that separates animals from humans. Arguing that cognitively complex animals such as chimpanzees, whales, dolphins and elephants have the capacity for limited personhood rights, Steve and his legal team are making history by filing the first lawsuits that seek to transform a chimpanzee from a "thing" with no rights to a "person" with legal protections. Unlocking the Cage captures a monumental shift in our culture, as the public and judicial system show increasing receptiveness to Steve's impassioned arguments. It is an intimate look at a lawsuit that could forever transform our legal system, and one man's lifelong quest to protect "nonhuman" animals.
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Promising vengeance for the death of a beloved Old God, Mr. Wednesday begins preparation for a great battle. Meanwhile Laura and Mad Sweeney chase Shadow’s di...
John makes swift changes at the Capitol, and later gets some advice from Senator Perry. The venom between Jamie and Beth reaches a boiling point. Rip updates Jo...
Alternating between the past and the present, Laura’s life and death are explored—how she met Shadow, how she died, and how exactly she came to be sitting o...
An entitled young writer and a waning comedy legend must put aside their differences to save their careers.
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