Federico Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini's own oeuvre), La città delle donne [City of Women] taps into the era's restless youth culture, coalescing into nothing less than Fellini's post-punk opus. Marcello Mastroianni appears as Fellini's alter ego in a semi-reprise of his character from 8 1/2, Snàporaz. As though passing into a dream, the charismatic avatar finds himself initiated into a phantasmagoric world where women--or an idea of women--have taken power, and which is structured like an array of psychosexual set-pieces, culminating in a bravura hot-air balloon that decisively sticks the "anti" up into "climax."
City of Women Film Synopsis
A businessman finds himself trapped at a hotel and threatened by women en masse.
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City of Women (1980) cast and crew credits, including actors, actresses, directors, writers and more. Marcello Mastroianni (Snàporaz), Anna Prucnal (Elena, the wife), Bernice Stegers (The lady on the train), Donatella Damiani (Donatella, the dancing girl), Jole Silvani (The motorcyclist (as Iole Silvani)), Ettore Manni (Dr. Xavier Katzone), Fiammetta Baralla (Oliver Hardy), Hélène Calzarelli (Feminist), Catherine Carrel (Commandant), Marcella Di Falco (Slave), Silvana Fusacchia (Skater), Gabriella Giorgelli (Fishmonger of San Leo), Dominique Labourier (Feminist), Stéphanie Loïk (Prostitute in the brothel (as Stéphane Emilfork)), Sylvie Matton (Feminist (as Sylvie Mayer)), Maïté Nahyr (Feminist (as Meerberger Nahyr)), Sibilla Sedat (Judge), Alessandra Panelli (Housewife), Loredana Solfizi (Black Feminist), Rosaria Tafuri (The other dancing girl), all returned for city of women movie.
Marcello MastroianniSnàporazScore: 16.1
Anna PrucnalElena, the wifeScore: 2.9
Bernice StegersThe lady on the trainScore: 12.1
Donatella DamianiDonatella, the dancing girlScore: 25.2
'City of Women' Official Trailer (HD). First teaser trailer of city of women, the Federico Fellini's popular movie. Watch the city of women teaser trailer. Federico Fellini’s #city-of-women is now on 4K UHD, Blu-ray and digital platforms.
▶ City of Women - Trailer
City of Women Screencaps, Images & Pictures
Check out photos from city of women movie. City of Women (1980) 1920x1080 HD wallpapers and high quality background images. Tons of awesome city of women wallpapers to download for free.
CITY OF WOMEN IMAGEEMPOWERMENT IMAGEMAN WOMAN RELATIONSHIP IMAGELADYKILLER IMAGEITALY IMAGEFEMINISM IMAGE
City of Women Movie Screencaps, Images & Pictures
City of Women Posters
All released movie posters so far for the movie city of women - 1980. A poster for Federico Fellini comedy movie, City of Women! High resolution official theatrical movie poster (#1 of 10) for city of women (1980). Image dimensions: 2025 x 3000.
CITY OF WOMEN POSTERITALY POSTEREMPOWERMENT POSTERMAN WOMAN RELATIONSHIP POSTERFEMINISM POSTERLADYKILLER POSTER
City of Women Movie Posters
City of Women Movie Languages & Subtitles
Deutsch Fellini-Film aus dem Jahr 1980. Frauenheld Marcello Snàporaz trifft im Zug eine wunderschöne Frau, der er bis in ein Hotel folgt. Wie sich herausstellt, findet dort gerade ein Kongress von Feministinnen statt, für die Marcello ein gefundenes Fressen ist.
Türkçe Kadınları ve sinemayı çok seven bir yönetmenden düşler, gençlik hayalleri, serbest çağrışımlarla dolu, varyete zenginliğinde bir gösteri. Kadınlar Kenti, dünya sinemasının en usta yönetmenlerinden Fellini’nin kadınlara duyduğu saplantılı tutkuyu gözler önüne seriyor. Fellini’nin en sevdiği aktör Marcello Mastroianni bu filmde de yönetmenin ikinci benliği olarak karşımızda. Bir modern zaman Don Juan’ı rolündeki Mastroianni, geçmişten geleceğe uzanan büyülü bir yolculukta, hayatın farklı alanlarından pek çok kadınla içli dışlı oluyor. Bu yolculukta ulaşmak istediği son noktayı ise mükemmel kadın temsil ediyor.
Français Snaporaz, un séducteur vieillissant, aborde une jeune femme dans un train, mais échoue dans ses manoeuvres d'approche. Le train s'arrête en pleine nature et l'inconnue en descend. Snaporaz quitte sa place à son tour et suit sa mystérieuse compagne de voyage. Il se retrouve dans une maison isolée où se tient un congrès féministe. Il déambule de salle en salle et affronte une étonnante galerie de personnages féminins, depuis la mangeuse d'hommes jusqu'aux homosexuelles militantes. Il croit trouver son salut en accédant à la galerie de portraits de Krossphallus Katzone, l'empereur des séducteurs, fier comme un coq sous les innombrables visages figés des femmes qu'il a aimées...
Italiano Diario di bordo di un esploratore (Snaporaz = Mastroianni = Fellini) nel suo viaggio sul Pianeta Donna, ma anche tentativo di autoritratto in forma di fantasia onirica, sincero di quella sincerità che in F. Fellini è sfilata, festa, carosello, bella confusione. Di straordinaria ricchezza inventiva, è anche un film sul cinema in chiave di memoria. Film passionale più che ideologico con la forza, e i limiti, di chi si mantiene nell'area autobiografica. Scritto con B. Zapponi e B. Rondi. 4 Nastri d'argento: regia, fotografia (Giuseppe Rotunno), scene (Dante Ferretti), costumi (Gabriella Pescucci). Musica: Luis Bacalov. Il Leitmotiv è di Meri Lao.
Español Relato de un hombre soñador en un mundo poblado de mujeres de toda condición.
Magyar "Egy görög mitológiatanár a főszereplő, aki egyszer csak rádöbben, hogy a körülötte élő lányok, asszonyok, már csöppet sem hasonlítanak az örök típushoz: Minervához, Junóhoz, Dianához... Furcsa utazásra indul, s mindinkább meggyőződik arról, hogy értékrendszere már nem felel meg a valóságnak" - vallotta Fellini e filmjéről, amelyben korábbi művei nőalakjai jelennek meg nagy vízióban, fellinis látványvilágban és fantáziával.
Pусский В поезде мужчина случайно знакомится с красивой женщиной и решает проводить ее домой. Это решение оказалось для героя роковым: он стал заложником в Городе Женщин. Здесь эмансипированные представительницы прекрасной половины человечества отстаивают свое право на главенствующее положение в этом мире.
Český Po filmech Sladký život a 8 1/2 se opět sešli režisér Federico Fellini a jeho herec, Marcello Mastroianni. Také ženy z titulu nového společného díla patří k Felliniho oblíbeným motivům: ženy všech podob, povah, tvarů, ženy staré i mladé, sebevědomě agresivní i naivně nevinné, mateřské typy i moderní emancipované... I když Město žen je spíš než o ženách o mužích, lépe řečeno o jednom z nich. Sukničkář Snaporaz koketuje ve vlaku s neznámou kráskou. Při jejím pronásledování se ocitne v hotelu, kde právě probíhá kongres feministek. Snaporaz se stává objektem jejich zájmu a vášní - a najednou toho je moc i na vyhlášeného záletníka. Snaporaz se snaží uprchnout a dostane se do vily doktora Katzoneho, jenž právě oslavuje svou desetitisící milenku - ale ani tady nenajde uprchlík definitivní záchranu.
Română Un om de afaceri ajunge blocat la un hotel și amenințat în masă de femei.
български език Главният герой Снапорац сънува странен сън, че е събрал всички жени, с които е имал връзка през живота си. Сънува как всички са заедно и живеят в хармония. Всички го обичат и никоя от тях няма нищо против останалите. Но вместо тази идилия жените предпочитат да го разкъсат на парчета и всяка една да отнесе със себе си част от тялото на Снапорац. Първата къса крак, втората - ръка, третата - пръсти... Жените предпочитат да го унищожат, отколкото да позволят някоя друга да го има.
svenska Under en tågfärd försöker Snàporaz utföra ett samlag på toaletten med en okänd kvinna. När hon stiger av följer han efter henne. Han hamnar mitt i en konferens för hängivna feminister, och kvinnorna vill inte åt hans kropp - det är hans skalp! Panikslagen lyckas han fly, bara för att upptäcka att hela världen tycks ha blivit galen.
Український У поїзді чоловік випадково знайомиться з красивою жінкою і вирішує проводити її додому. Це рішення виявилося для героя фатальним: він став заручником у Місті Жінок. Тут емансиповані представниці прекрасної половини людства відстоюють своє право на чільне місце в цьому світі.
Nederlands Snaporaz droomt van een gelukzalig samenzijn met alle vrouwen in zijn leven - de vrouwen die hij heeft gekend, nog steeds kent en zal leren kennen.
Português Um empresário se vê preso em um hotel e ameaçado por mulheres em massa. Marcello está na cabine de um trem italiano, olhando para frente quando a água mineral da mulher sentada à sua frente começa a cair em sua direção. Ele pega a garrafa e faz contato visual e a segue quando ela sai da cabine. Por alguns momentos, ela o acha atraente também. De repente, ela desce do trem e começa a andar por um campo. Marcello a segue mas a perde, e está em um grande hotel cercado por mulheres. Uma conferência feminista está ocorrendo e ele tenta escapar. (e 16 - Estimado 16 Anos)
한국어/조선말 나이 많은 난봉꾼 스나포라츠는 기차 여행 도중 아름다운 여인 엘레나에게 매혹된다. 갑자기 기차가 멈추고, 스나포라츠는 엘레나에게 이끌려 그녀를 따라 숲으로 들어가게 되는데...
ქართული მამაკაცი შემთხვევით გაიცნობს ლამაზ ქალს მატარებელში და გადაწყვიტავს გააცილოს სახლში. ეს გადაწყვეტილება მისთის გახდა საბედისწერო. მამაკაცი მოხვდება ქალების ქალაქში. სადაც ემანსიპირებული, კაცობრიობის მშვენიერი ნახევრის წარმომადგენლებს საკუთარ ხელში აქვთ აღებული მთელი ძალაუფლება.
ελληνικά Στο βαγόνι ενός τρένου, ο κος Σνάπορατς μισοκοιμάται και κάνει την εμφάνιση της μια ελκυστική, άγνωστη γυναίκα. Όταν εκείνη κατεβαίνει σ` έναν μυστηριώδη σταθμό, αυτός την ακολουθεί, μέχρι που φθάνει στο Grand Hotel Miramare όπου γίνεται ένα διεθνές φεμινιστικό συνέδριο.
עִבְרִית מסעו של רב האמן הקולנועי פדריקו פליני, אל עולמה של האישה או נכון יותר אל הפנטזיות הגבריות על האישה. במהלך הזיותיו הארוטיות של נוסע רדום ברכבת הוא נקלע לוועידת פמיניסטיות תוקפניות, מבלה בזרועות עקרת בית מפלצתית, נרדף ע"י קטינות תוקפניות ועובר עוד הרפתקאות שונות ומשונות עם כל סוגי הנשים. הניסיון הזה למצוא את דמות האישה האידאלית באמצעות הדימויים הקולנועיים המאפיינים את פליני, אינו מוביל למסקנה חיובית במיוחד על בנות "המין החלש". כדי לענות למתקפה הפמיניסטית שבאה בעקבות הסרט, אמר פליני שהוא רק תייר, עובר אורח: "זהו סיפורן של נשות האתמול וההווה כפי שהוא מסופר מפי גבר שאינו מסוגל להבינן... כל הסרטים שלי הם על נשים. הן מייצגות מיתוס, מסתורין, קסם. אפילו הקולנוע עצמו מצטייר לי בדמות נשית..."
Polski Kobieciarz Snaporaz (Marcello Mastroianni), poznawszy kolejną piękność, zapędza się za nią do miasta kobiet. Tam natrafia akurat na kongres feministek. Niechcący staje się obiektem pożądań, ścigany, prześladowany i zagrożony przez agresywne kobiety. W sekwencjach filmu "Miasto kobiet" Fellini każe potykać się swojemu bohaterowi o dziwaczne męskie fantazje.
Dansk I en togvogn vågner Snàporaz op efter en lur, hvorefter han forsøger at forføre en smuk kvinde. Det bliver begyndelsen på et bizart og mareridtsagtigt eventyr. Snàporaz følger efter kvinden gennem en skov til et sært hotel, hvor en gruppe feminister holder kongres. Her får han en temmelig fjendtlig modtagelse, og det er blot det første af en række urovækkende møder med kvindekønnet, der venter den aldrende skørtejæger.
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Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
This carnivalesque portrait of provincial Italy during the fascist period, the most personal film from Federico Fellini, satirizes the director’s youth and turns daily life into a circus of social rituals, adolescent desires, male fantasies, and political subterfuge, all set to Nina Rota’s classic, nostalgia-tinged score. The Academy Award–winning Amarcord remains one of cinema’s enduring treasures.
This was Roberto Rossellini’s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Though told with more melodramatic flair than the other films that would form this trilogy and starring some well-known actors—Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as the fiancée of a resistance member—Rome Open City (Roma città aperta) is a shockingly authentic experience, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake.
Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.
The Voice of the Moon concerns itself with Ivo Salvini (Roberto Benigni, Life Is Beautiful), recently released from a mental hospital and in love with Aldini (Nadia Ottaviani). As he attempts to win her heart, he wanders a strange, dreamlike landscape and encounters various oddball characters, including Gonnella (Paolo Villagio, Fantozzi), a paranoid old man prone to conspiracy theories.
Made in 1978 for Italian television, Orchestra Rehearsal is possibly Fellini's most satirical and overtly political film. An allegorical pseudo-documentary, the film depicts an Italian television crew's visit to a dilapidated auditorium (a converted 13th-century church) to meet an orchestra assembling to rehearse under the instruction of a tyrannical conductor. The TV crew interviews the various musicians who each speak lovingly about their chosen instruments. However, as petty squabbles break out amid the different factions of the ensemble, and the conductor berates his musicians, the meeting descends into anarchy and vandalism. A destructive crescendo ensues before the musicians regroup and play together once more in perfect harmony. Abounding with its director's trademark rich imagery and expressive style, Orchestra Rehearsal marks the last collaboration between Fellini and the legendary composer Nino Rota (due to the latter's death in 1979) who provides one of his most beautiful themes in the film's conclusion.
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When Hachiman Hikigaya joins the Services Club run by stuck up Yukino Yukinoshita, it’s a recipe for disaster! Mix in Yui Yuigahama, and it could be a recipe for romance...or a nuclear meltdown! Get ready for chaos served up by the Services Club!
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