Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.
I Vitelloni Film Synopsis
Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.
I Vitelloni Comments & Critics
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I Vitelloni Movie Reviews
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Fellini ClassicA very influential film about 5 middle class men suffering from ennui in a small Italian seaside town in the 50’s. Masterfully shot and well acted. The plot is perfectly paced with all the characters coming into and leaving the story are the perfect time. The subtitles are done well too..Frank C 66554321.Score: 5/5
Early Fellini - so fabulousThis story is set in the post WWII time in a little seaside town where the director uses his awesome skill to bring many characters to life as it may have been. So strange to see these “post-adolescent” protagonists who seem more like early middle-aged men to our 21st century eyes. I have seen all the other Fellini films and loved them all, but for some reason this one really hit me squarely in the heart. Don’t miss it!.Mohrstein2Score: 5/5
Marvelous look at possibilities in life!This movie really made me ask the reason why i am where I am and what made me do what I do especially since I moved from a very small town with pocket full of dreams and ambition. It is the core tale of those that crosses boundaries from one set of beliefs to another and even one nation to another to do something with their lives and make something of it. But we keep forgetting \ the fact that our roots and their norms are the status quo and will remain OURS to keep whether we like it or not. It is both a refreshing and a familiar cautionary tale and I love it! The only reason I am giving 4 Stars is because my life, like that of Moraldo, is still being written as we speak. TY Federico Fellini!.Gogo21Score: 4/5
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I Vitelloni (1953) cast and crew credits, including actors, actresses, directors, writers and more. Franco Interlenghi (Moraldo Rubini), Alberto Sordi (Alberto), Franco Fabrizi (Fausto Moretti), Leopoldo Trieste (Leopoldo Vannucci), Riccardo Fellini (Riccardo), Leonora Ruffo (Sandra Rubini), Jean Brochard (Francescco Moretti), Claude Farell (Olga), Carlo Romano (Michele Curti), Enrico Viarisio (Signor Rubini), Paola Borboni (Signora Rubini), Lída Baarová (Giulia Curti), Arlette Sauvage (La sconosciuta del cinema), Vira Silenti (Gisella), Achille Majeroni (Sergio Natali), Guido Martufi (Guido), Silvio Bagolini (Giudizio), Milvia Chianelli (L'amica di Riccardo), Enzo Andronico (Un ragazzo al carnevale), Riccardo Cucciolla (Narratore), all returned for i vitelloni movie.
Alberto SordiAlbertoScore: 10.5
Franco FabriziFausto MorettiScore: 8.9
Leopoldo TriesteLeopoldo VannucciScore: 12.7
Riccardo FelliniRiccardoScore: 3.0
Leonora RuffoSandra RubiniScore: 6.2
Jean BrochardFrancescco MorettiScore: 8.5
Claude FarellOlgaScore: 3.1
Carlo RomanoMichele CurtiScore: 7.9
Enrico ViarisioSignor RubiniScore: 5.9
Paola BorboniSignora RubiniScore: 3.6
Lída BaarováGiulia CurtiScore: 6.3
Arlette SauvageLa sconosciuta del cinemaScore: 2.5
Federico Fellini (Director), Federico Fellini (Screenplay), Lorenzo Pegoraro (Producer), Nino Rota (Original Music Composer), Carlo Carlini (Director of Photography), Luciano Trasatti (Director of Photography), Rolando Benedetti (Editor), Federico Fellini (Story), Ennio Flaiano (Story), Tullio Pinelli (Story), Ennio Flaiano (Screenplay), Luigi Giacosi (Production Manager), Danilo Fallani (Production Supervisor), Ugo Benvenuti (Production Secretary), Otello Martelli (Director of Photography), Roberto Gerardi (Camera Operator), Franco Villa (Camera Operator), Franco Ferrara (Conductor), Max de Vaucorbeil (First Assistant Director), Moraldo Rossi (First Assistant Director),
Federico FelliniDirectorScore: 11.4
Federico FelliniScreenplayScore: 11.4
Nino RotaOriginal Music ComposerScore: 5.2
Federico FelliniStoryScore: 11.4
Ennio FlaianoStoryScore: 6.8
Tullio PinelliStoryScore: 6.5
I Vitelloni Trailers & Teasers
'I Vitelloni' Official Trailer (HD). First teaser trailer of i vitelloni, the Federico Fellini's popular movie. Watch the i vitelloni teaser trailer. Federico Fellini’s #i-vitelloni is now on 4K UHD, Blu-ray and digital platforms.
▶ I Vitelloni (1953) ORIGINAL TRAILER
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I Vitelloni Screencaps, Images & Pictures
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I VITELLONI IMAGENEO REALISM IMAGEBLACK AND WHITE IMAGEFRIENDSHIP IMAGEITALIAN NEO REALISM IMAGELADYKILLER IMAGEPREGNANCY IMAGE
I Vitelloni Movie Screencaps, Images & Pictures
We are the hollow men in this last of meeting places we grope together and avoid speech. Gathered on this beach of the torrid river...
I Vitelloni Posters
All released movie posters so far for the movie i vitelloni - 1953. A poster for Federico Fellini comedy movie, I Vitelloni! High resolution official theatrical movie poster (#1 of 10) for i vitelloni (1953). Image dimensions: 2025 x 3000.
I VITELLONI POSTERLADYKILLER POSTERITALIAN NEO REALISM POSTERNEO REALISM POSTERPREGNANCY POSTERFRIENDSHIP POSTERBLACK AND WHITE POSTER
I Vitelloni Movie Posters
I Vitelloni Movie Languages & Subtitles
Deutsch In einer Kleinstadt an der Adriaküste vertreiben sich die fünf Freunde Alberto, Fausto, Leopoldo, Moraldo und Riccardo die Zeit mit Billard spielen und Frauen anbaggern. Doch dann schwängert Fausto die schöne Sandra und muss sie heiraten. Es fällt ihm schwer seine Gewohnheiten zu ändern.
Français Dans une petite ville balnéaire animée seulement par le carnaval et la période des vacances, cinq jeunes gens mènent une vie de désœuvrés, d'inutiles, qui leur vaut d'être appelés "Vitteloni", "les grands veaux".
Italiano La storia ruota attorno ad un gruppo di cinque giovani uomini tra i 20 ed i 30 anni nella piccola cittadina di Rimini tra la bella vita dell'Italia ricostruita, luci notturne, donne, vacanze, automobili. I cinque sono tutti single, disoccupati e mantenuti. Ma tutto è destinato a cambiare quando l'asprezza della vita si paleserà loro sotto forma di una famiglia allargata stanca di portarseli appresso, tra alti e bassi i cinque verranno catapultati nella vita vera, con tutto quel che ne consegue nel bene e nel male.
Español Los vecinos de un pueblo de la costa adriática italiana son gentes amables y corteses que se dedican afanosamente al trabajo. Sólo cinco jóvenes rompen la armonía de la comunidad: ninguno de ellos ha trabajado nunca y ni siquiera se avergüenza de ello.
Pусский Маленький городок на Адриатике. Италия после военных страданий, разрухи и бедности, только-только начинает поднимать голову, просто жить, наслаждаться солнцем и морем, работать, устраивать семейную жизнь и веселиться! Но почему же пятеро молодых жителей городка чувствуют все большее неудовлетворение, все острее переживают невыносимость ничегонеделания, все сильнее хотят бежать отсюда? Куда угодно, только бежать!
Português Cinco jovens (“os inúteis” do título) permanecem num limbo pós-adolescente, sonhando com aventuras e o dia em que deixam para trás a pequena cidade costeira onde arrastam a existência. Como quem tenta encontrar um sentido na vida provinciana, preenchem o vazio dos dias com namoricos e farras, às custas das suas famílias indulgentes. Um dia, um deles decide largar tudo e apanha o comboio para Roma…
עִבְרִית סרטו המרגש והניאו-ריאליסטי של פדריקו פליני עוסק בקבוצה של חברים התקועים עדיין בעיירת הולדתם הקטנה על חוף הים האדריאטי (ההכוונה היא לעיר מולדתו של פליני עצמו, רימיני, והדמות הראשית מהווה אלטר אגו לדמותו של הבמאי), חולמים על נסים ונפלאות אך מסתפקים בחברות אמת. מדובר בסרט הראשון של הגאון האיטלקי שהצליח לפרוץ עבורו את גבולות ארצו (מועמדות לאוסקר) ושזכה באריה הכסף של פסטיבל ונציה ("האוזן השלישית").
Türkçe Konusu yönetmenin doğduğu yer olan Rimini'de geçen (ama film orada çevrilmemiştir) "Aylaklar", Adriyatik Denizi kıyısındaki kasabalarında günlerini tembellik ederek geçiren işsiz güçsüz takımından beş gencin öyküsünü anlatır. Taşranın dışına bile çıkmamış bu gençler yeterince olgunlaştıklarını sanarak kendilerinin önemli kişiler olarak görmektedirler, ancak zamanla sadece kendilerini kandırmış olduklarını anlayacaklardır. Zaten filmin özgün adı olan "I Vitelloni" fazla irileşmiş, büyümüş ancak halâ verim alınamayan dana anlamına gelmektedir ve bu filmden sonra İtalyanca argosuna girmiş bir kelimedir. Filmdeki gençlerin de, aslında yaşları hayli ilerlemiş olmasına rağmen ortada henüz ürettikleri bir şey yoktur.
Magyar Moraldo, Fausto, Leopoldo, és Alberto egy álmos kisváros aranyifjai, akik sehogy sem akarnak belenőni a felnőtt életbe. Szüleik világát szűknek és unalmasnak érzik, nagy tervekről, izgalmas életpályáról álmodoznak, de erejükből legfeljebb némi botránykeltésre futja. Menekülni szeretnének, de csak Moraldónak van annyi ereje, hogy felszálljon a Róma felé tartó vonatra. Az erőteljesen önéletrajzi ihletésű film elkészítésének idején Fellini még maga is pályakezdőnek számított csakúgy, mint fiatal színészei, akik közül a saját nevét is vállaló Alberto Sordi igazi világsztár lett.
Português Quatro amigos mimados vivem na farra e em busca de mulheres. Quando Fausto engravida a irmã de Moraldo, o avô da criança o obriga a casar, o que faz o rapaz repensar sua forma de levar a vida.
български език Петима мъже се опитват да залъжат скуката с дълги вечери в киното, около билярдната маса в кафенето, в кроежи на бохемски шеги и търсене на какъвто и да е повод за разтуха. Те са мамини синчета, глезени и издържани от семействата си: вечният смешник Алберто с детинското лице, който крънка джобни от сестра си; Леополдо, отнесен в блянове за литературни успехи; мързеливият и нехаен Рикардо; наскоро оженилият се женкар Фаусто и Моралдо - най-младият, който единствен си мечтае да напусне компанията и да замине за Рим.
svenska En karaktärsstudie av fem unga män som befinner sig vid avgörande tidpunkter i sina liv. Filmen följer dem genom övergången och hur rastlösheten leder dem till olika aktiviteter, inte alla helt beundransvärda. De tillbringar sina dagar på caféer och barer, spelar biljard, tigger pengar av sina föräldrar och missköter sig rent allmänt. Alla drömmer om att lämna småstaden, men en serie händelser tvingar dem att omvärdera sina liv.
Dansk I Vitelloni er en af Federico Fellinis mindre kendte film, som dog indeholder mester-instruktørens sædvanlige sans for skarp observation af menneskelige skæbner. Filmen er et karakterstudie af fem unge mænd, som holder til i en lille, isoleret by ved Adriaterhavet. Deres utilfredshed og rastløshed fører dem ud i forskellige aktiviteter, der ikke alle er lige beundringsværdige. Godfather-kompo-nisten Nino Rota har skrevet filmens enkle og udtryksfulde musik.
Nederlands 'Vitelloni' staat voor jongeren met grote dromen maar zonder moed. Ze feesten en grappen, maar stellen slechts hun volwassenheid uit. Het verhaal handelt over vijf van dit soort jongens die opgroeien in een Italiaans kustplaatsje.
Český Snímek je citlivým portrétem pěti mladých mužů, kteří žijí v malém pobřežním městečku. Bezcílně se potulují po ulicích, sní o ženách a slávě velkoměsta, ale jejich sny jsou jen vzdušnými zámky. Nuda a nespokojenost s pomalu plynoucím životem vedou skupinu darmošlapů k množství větších a menších výtržností. Film je komickým melodramatem o mladých lidech, kteří nevědí, co si počít se svým životem a ačkoliv jim bude třicet let, nechávají se obstarávat svými matkami.
한국어/조선말 모랄도(프랑코 인테르렝기 분), 리카르도(리카르도 펠리니 분), 레오폴도(레오폴도 트리에스테 분), 파우스토(프랑코 파브리치 분)와 알베르토(알베르토 소르디 분)는 리미니에 사는 다섯 명의 ‘청춘군상’들이다. 매일 할 일 없이 바에 모여 사소한 농담이나, 여자 이야기, 혹은 놀면서도 사치스럽게 돈을 쓰며 사는 꿈에 대한 이야기를 하며 바에서 시간을 때우는 삼십대의 친구들이다. 그런데 이들에게 변화가 생기기 시작한다. 어느 여름 맞이 축제에서 파우스토는 모랄도의 누이인 산드라에게 아이가 있다는 것을 알게 되고, 내키지는 않지만 자신의 책임임을 받아들이고 성구(聖句)를 파는 상점에서 일하기 시작한다. 한편, 파우스토의 친구들은 여전히 백수 생활을 하며 새 생활을 찾지 못한다. 특히 이들 중 가장 무모한 성격을 가진 알베르토는 누이가 벌어오는 돈에 빌붙어 살면서, 잘 살아보겠다고 발버둥치는 사람들을 비난한다. 모랄도는 자신이 살고 있는 곳이 너무도 촌스러워 더 이상 그곳에 동화되고 싶지 않다는 생각에 친구들을 멀리하기 시작한다. 한편, 못된 습성을 버리지 못한 파우스토는 사장의 부인과 위험한 관계를 맺는다. 다섯 친구들 모두 참석한 한 카니발의 야간 무도회에서 산드라는 파우스토의 부정을 알게 되고 눈물을 흘리며 아들을 데리고 달아난다. 파우스토는 자신의 무능력함과 잘못을 깨닫고 아내에게 용서를 빌러 가지만, 분노에 차 그를 기다리고 있던 산드라의 아버지가 혁대로 때리며 벌을 준다. 다음 날, 두 친구는 새로운 삶을 다시 시작하려 하고, 나머지는 또 다시 자포자기 하고, 꿈도 없고 희망도 없는 일상 속으로 돌아간다. 모랄도만이 새로운 삶을 찾아야 한다는 생각으로 등돌리고 떠나온 사람들을 생각하며 아침 일찍 조용히 기차에 오른다.
Український Події відбуваються в невеликому містечку на Адріатиці, розташованому в Італії. Країна намагається прийти в себе після виснажливої війни. У центрі сюжету опиняються п’ятеро хлопців, які втомилися від нудьги й неробства та мріють коли-небудь вирватися на свободу.
ελληνικά Σε μια παραθαλάσσια ιταλική πόλη, πέντε αργόσχολοι νέοι πρέπει να πάρουν αποφάσεις για το μέλλον τους.
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Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
Made in 1978 for Italian television, Orchestra Rehearsal is possibly Fellini's most satirical and overtly political film. An allegorical pseudo-documentary, the film depicts an Italian television crew's visit to a dilapidated auditorium (a converted 13th-century church) to meet an orchestra assembling to rehearse under the instruction of a tyrannical conductor. The TV crew interviews the various musicians who each speak lovingly about their chosen instruments. However, as petty squabbles break out amid the different factions of the ensemble, and the conductor berates his musicians, the meeting descends into anarchy and vandalism. A destructive crescendo ensues before the musicians regroup and play together once more in perfect harmony. Abounding with its director's trademark rich imagery and expressive style, Orchestra Rehearsal marks the last collaboration between Fellini and the legendary composer Nino Rota (due to the latter's death in 1979) who provides one of his most beautiful themes in the film's conclusion.
This carnivalesque portrait of provincial Italy during the fascist period, the most personal film from Federico Fellini, satirizes the director’s youth and turns daily life into a circus of social rituals, adolescent desires, male fantasies, and political subterfuge, all set to Nina Rota’s classic, nostalgia-tinged score. The Academy Award–winning Amarcord remains one of cinema’s enduring treasures.
This was Roberto Rossellini’s revelation, a harrowing drama about the Nazi occupation of Rome and the brave few who struggled against it. Though told with more melodramatic flair than the other films that would form this trilogy and starring some well-known actors—Aldo Fabrizi as a priest helping the partisan cause and Anna Magnani in her breakthrough role as the fiancée of a resistance member—Rome Open City (Roma città aperta) is a shockingly authentic experience, conceived and directed amid the ruin of World War II, with immediacy in every frame. Marking a watershed moment in Italian cinema, this galvanic work garnered awards around the globe and left the beginnings of a new film movement in its wake.
The Voice of the Moon concerns itself with Ivo Salvini (Roberto Benigni, Life Is Beautiful), recently released from a mental hospital and in love with Aldini (Nadia Ottaviani). As he attempts to win her heart, he wanders a strange, dreamlike landscape and encounters various oddball characters, including Gonnella (Paolo Villagio, Fantozzi), a paranoid old man prone to conspiracy theories.
Federico Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period. A surrealist tour-de-force filmed on soundstages and locations alike, and overflowing with the same sensory (and sensual) invention heretofore found only in the classic movie-musicals (and Fellini's own oeuvre), La città delle donne [City of Women] taps into the era's restless youth culture, coalescing into nothing less than Fellini's post-punk opus. Marcello Mastroianni appears as Fellini's alter ego in a semi-reprise of his character from 8 1/2, Snàporaz. As though passing into a dream, the charismatic avatar finds himself initiated into a phantasmagoric world where women--or an idea of women--have taken power, and which is structured like an array of psychosexual set-pieces, culminating in a bravura hot-air balloon that decisively sticks the "anti" up into "climax."
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